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Introducing omakase: The ultimate guide to Japanese dining concept

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Introducing omakase: The ultimate guide to Japanese dining concept


Omakase, the archetypal antithesis of the French-style à la carte menu, is taking India’s food and beverage industry by storm. With restaurants and bars kowtowing to the Japanese dining concept that quite literally translates to ‘I leave it up to you’, Omakase has takers from Amritsar to Bengaluru.

Customarily, an omakase experience demands the diners to relinquish control over their choice of dishes and allows chefs to dish out elaborate courses made with seasonal produce at a fixed price. According to Encyclopedia Britannica, “the omakase tradition began in Japan in the 1990s to accommodate nouveau riche customers who knew little about sushi and seafood and did not want to reveal their lack of knowledge”. The term was coined in 1967, but the trend piqued my curiosity in 2024, when two of the three restaurants and bars I visited whispered the magic word.

Omakase counter at Shiso
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For instance, pan-Asian restaurant Shiso flung its doors open to Amritsar, last year in June. Amidst teppanyaki (a post Second World War style of Japanese cooking with iron griddle) and yakitori (Japanese-style skewered chicken), their omakase counter stood out. The memory of a friend and I savouring nigiri and laphing while taking swigs of whisky-based cocktail called Trippy Fungi, still reminds me of the comfort that the counter offered. Predominantly, it ruled out any chance of an argument that could break out while placing the order; and clearly, the chefs stood in the firing line if one did not relish the dish. To Vansh Aggarwal, the co-owner of Shiso, my observations are amusing. “We wanted to have a live-cooking space. So, at the omakase counter, we decided to have sushi, teppanyaki and yakitori made right in front of our guests,” he says.

Thai betel leaf roll from Laos 
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The omakase menu at Shiso features 12 dishes and three cocktails. “We have eight to 10 courses, priced at ₹4,500 per person. Every course covers one dish from an Asian country — Thai betel leaf roll from Laos and Malay tofu curry from Indonesia to China’s dan dan udon and Japan’s karaage chicken,” informs Vansh.

Wildcard versus menu card

Koishii’s signature vegetarian nigiri
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Typically, omakase comprises traditional Japanese food, like oysters, bluefin tuna and sea urchin, but chefs may also combine Asian cuisine with other culinary traditions. The selection of dishes is based on the restaurant’s or the chef’s culinary philosophy. In that sense, Nikkei cuisine takes centre stage at Japanese-Peruvian restaurant Koishii at The St. Regis, Mumbai.

Forest mushroom wok served at Koishii
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Chef Paul Kinny, culinary director of The St. Regis, explains: “When Japanese migrants went to Peru, they married their cooking techniques with Peruvian ingredients; that’s how Nikkei was born. Koishii’s omakase menu comprises all its signature dishes. It includes vegetarian, meat-based and mixed options in a meal that comprises ceviche (a dish consisting of fish or shellfish marinated in citrus and seasonings), tiradito (a Peruvian dish of raw fish slices marinated in a spicy citrus sauce), sushi, robata grill (Japanese fireside-cooking), mains and desserts. Ceviche is different from Japanese sashimi because its dressing is done with leche de tigre (that translates to tiger’s milk), which essentially is a spicy, citrus-based marinade.”

Chef Paul Kinny, culinary director of The St. Regis Mumbai
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Koishii’s omakase offerings, available till April, include dishes like forest mushroom and chicken tropical sour as part of robata grill, chupe prawn ramen, salmon salad nikkei, yellowtail nikkei for ceviche, unagi maki roll for sushi, asado negro nikkei for mains and desserts like inka gold (made with raspberry caviar, 64%, dark chocolate, chocolate mousse and sable cracker base). While the vegetarian menu is priced upwards of ₹4,900 per person, the non-vegetarian menu starts at ₹6,900.

Koishii’s omakase dining expereince
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Both, Shiso and Koishii are fairly new restaurants, with Koishii turning three this year, but Chef Mayank Kulshreshtha, the executive chef of ITC Grand Chola, Chennai, observes that omakase garnered eyeballs about a decade ago. “Most five-star restaurants, including ITC, serving Japanese cuisine, embraced omakase in the 90s, but in the last 10 years, it has become a trend,” he says. He credits the dining concept’s popularity to the availability of Japanese ingredients and access to cooking techniques. “Besides, the political and business camaraderie between India and Japan has grown over the years. A lot of people are now travelling to Japan, following the food cults on social media and trying new cuisines, which may have sparked their interest in Japanese food, especially omakase,” he avers.

Premium sashimi at ITC
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ITC’s omakase offerings include sashimi, robatayaki grill, hotate katsu and nimono (traditional dashi stock simmered with kombu kelp and bonito flakes). “Generally, an omakase experience has seven to 20 courses. In our pan-Asian restaurant, an omakase meal costs somewhere between ₹15,000 and ₹20,000 per head,” he adds.

 Chef Mayank Kulshreshtha, the executive chef of ITC Grand Chola, Chennai
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Selling like hot cakes!

Last year, in August, a multi-city chain of pan-Asian cuisine, Nasi and Mee, introduced omakase experience at its outlet in Bengaluru. Dilip Krishnan, the co-founder and CEO (India) of Foodsta Kitchen which owns and operates Nasi and Mee, observes that the omakase experience has picked up slowly but anyone who experienced it has had only good things to say. “We have a six-to-eight-seater live sushi bar with just one 45-minute dinner slot six days a week (Tuesday to Sunday), and we’ve had a few sold-out weeks. On average, we’ve had two-four people and most of them have come as couples celebrating a milestone or for some intimate or new dining experience,” he notes. The restaurant takes omakase bookings on 24-hour reservation deadline, imports a whole Norwegian salmon for its carpaccio and nigiri, and procures eels from Japan.

Gyoza on Nasi And Mee’s omakase’s menu
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The seasonal menu, packed with surprise element may have also accounted for the concept’s popularity. Much recently, Shiso pulled off the courageous stint of introducing Kashmiri wazwan, a week-long pop-up it hosted, to its omakase counter. “We get eight to 10 tables trying Omakase, in a month. The bookings are made for special occasions. But having an omakase experience establishes the food-forward ideology of our brand. So, it works as much for us as it does for our guests,” says Vansh.

Veg nigiri on Nasi And Mee’s Omakase menu
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For Paul though, omakase irons out the creases when it comes to managing operations in the kitchen, and reduces wastage too. He says, “Omakase is a pre-set meal, it needs required quantities as the number of guests is known and the dishes are also fixed. Koishii has two sit-and-dine slots a day (7.30pm and 10.30pm), omakase menu is pre-decided. Nearly four to five tables are booked for the experience on weekdays and eight to 10 on weekends. It’s a convenient format of dining for two main reasons: first, it saves the diner the hassle of choosing dishes. Second, since it comes at a fixed-price, it allows the host to manage the budget.”

Nigiri mixed on Nasi And Mee’s Omakase menu
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What’s your poison?

Delhi-based bars PCO (Pass Code Only) and Call Me Ten have taken a fancy to omakase as well. In August, last year, I visited PCO, India’s first speakeasy, as it renovated its interiors and launched a new cocktail menu, called The Forbidden. Accompanied with Ignorance Is Bliss, a Chyawanprash-infused bourbon (Chawanprash has been banned in certain countries, which explains its inclusion as the forbidden ingredient in the menu), I entered the bar’s new addition, an omakase counter, on the bar’s top floor.

Since its launch in October, the omakase counter at PCO, which can house nearly 13 guests, has seen a full house
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Since its launch in October, the counter, which can house nearly 13 guests, has seen a full house, says Rakshay Dhariwal, the bar’s co-owner. “We try and gauge the taste profile of our guests through their visual and olfactory preferences and by presenting them with certain cues to help us establish what type of cocktail they would most enjoy. For instance, we may present a range of postcards, with pictures of mountains, beaches etc. and have them choose the one that they resonate with most. Or we offer them half a dozen fragrances and ask them to pick their favourite. We also keep these changing — for instance, for New Years, we asked people what their new year’s resolutions were. And, of course, we also ask guests to choose their base liquor. We have a profile of over 85 cocktails which can be created by the mixologist at the counter, depending on the description given by the guests,” he says. A cocktail at PCO’s omakase counter is priced at ₹1,500.

The omakase counter at PCO
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The choice of seven base liquor options (from rum to whisky) at the nine-month-old Call Me Ten comes with seven taste profiles (from umami to sweet) and three levels of potency (strong, light and no preference). The bar’s co-owner, Karann R Chawla, says, “We started the omakase experience at the bar in September. The idea of having an omakase bar is also to educate our guests on different cocktails, spirits and flavours. We have been getting as many as 200 customers a day.” An omakase drink at Call Me Ten is priced at ₹850.

The bartender prepares an omakase cocktail at Call Me Ten
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Since the Michelin Guide describes omakase experience as “revered and intimidating”, it makes for a perfect must-try for adventurous food aficionados. Do you agree?



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BTS’ J-Hope teases a hint for BTS comeback and reunion, saying “unique identities” will have an influence over their future | – The Times of India

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BTS member J-Hope has been busy promoting solo activities and going around the world on his solo world tour. The rapper and singer of the group teased fans about the much-awaited and anticipated BTS comeback in a recent interview.

J-Hope shares more about his bandmates and the future

The rapper shared more about his members, their plans for the future and how the comeback is going to look. He shared with The Teen Vogue, “I look forward to June when our members will have completed their service. We will quickly get together and talk about what BTS can do in the future. I think it’s going to be a massive energy. Citing every member’s individual project and the influence they may have on the future, J-Hope shared that “I think that over time, we each refined our unique identities as each of us worked on their own music, came out with their solo projects and did their own thing.”
Not only that, but the member also confessed in the interview that he was curious to see what the outcome would be once they all finally came together after so long. He shared that “The funny thing for me is when our identities, which have taken shape in various ways, come together as BTS, I’m curious to see how it’ll look.”

About all members of BTS

Currently, 5 members of the band, namely, Jimin, Jungkook, V, RM, and Suga, are all serving the final term of their military enlistment and will be discharged by the end of June. Other than them, member J-Hope is busy with his solo world tour, while Jin is gearing up for his comeback on May 16 with his second solo mini-EP titled ‘Echo’. He is also preparing to go on his first solo world tour from June to August.





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Here’s why designer Payal Khandwala chose brocade for her new collection

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Somewhere between the structural symmetry and textural harmony, which define the obvious creative arch of Mumbai-based fashion designer Payal Khandwala’s latest spring-summer collection, there lies the quiet world of subtle details. Released under the designer’s eponymous label, the untitled collection has been assigned to the chronological number of the edits that Payal has curated till date — 13. It champions handwoven silk and a modified, more muted version of brocade, while making a modest attempt at solving the wardrobe crisis for occasions that are neither too formal, nor too casual.

The collection champions silk and a modified, more muted version of brocade 
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Payal, who pursued a degree in fine arts at the Parsons School of Design in New York, before launching her debut collection in 2012, explains the intent that dictates her recent work. “I consciously refrain from naming collections in general unless there is a very specific starting point. Even when I’d paint, I titled my canvases untitled. I prefer this because otherwise it spoon-feeds the viewer to have a response. Also, if the inspiration is too abstract or esoteric, then naming it becomes an exercise in retrofitting,” she says.

Payal’s collection also pivots on reverse engineering
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The collection, she says, has been in the making for the past seven to eight months. And though she admits to silk and brocade being unusual fabrics to opt for a summer edit, she elaborates on the techniques that add value to its design language. “What I wanted to do this time was to continue using brocade as a craft, even though it’s not festive season. While we typically associate brocade with gold and silver thread I replaced it with silk so that, whilst still a woven detail and it using all the technical aspects of brocade, the outcome is a bit more subtle. I love pushing back things, as much as possible, without losing the intricacy. Ours, I guess, is quieter luxury,” she says, adding that she purposely kept linens and cotton at bay. Like most of her collections, this release is also limited to a few pieces.

Fashion designer Payal Khandwala
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“The mood board of most of my collections, you could say, depends on my own. I only make clothes that I wear. A lot of my clothes are designed for mini special occasions, from birthdays to dinner dates. I was looking to make something that women could wear to elevated prêt occasions. So, I figured the customer that wears the garments for a dinner or a cocktail or a gallery opening are going to be in an air-conditioned environment for the most part. In that case, silk doesn’t become a big hindrance also because we make several lighter silks and silk regulates body temp as well. Also, functionality takes centre stage in my garments. I make clothes that are easy to wear, pack and travel with,” she says.

Payal gets the fabrics woven by craft clusters in Varanasi and Phulia in West Bengal
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As an example, she lists a long black jacket, which works well as a layer. “We also have a mustard, free sized jacket; relaxed and like most of my garments, it is very comfortable and fuss free when it’s cooler indoors. There’s also an olive green jacket for the women that are more comfortable being a bit more creative with silhouettes. I try to solve wardrobe problems for women; I started the label for this reason, because when I was looking for clothes the options were mostly coordinates that were too formal or that felt too traditional, and whilst travelling felt rather costume like. I wanted to create separates that were luxurious but also versatile,” she shares.

Payal focusses on the construction of the garment, with respect to pleats and drapes
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Payal says that she strictly focusses on the construction of the garment, with respect to pleats and drapes. “If I’m making a jacket, I will rethink the lapel, add a belt or an architectural element or detail like our signature asymmetrical cuffs. Sometimes it will be a contrast lining, like the red lining I used in the olive-green jacket,” she says. Payal’s collection also pivots on reverse engineering. “For instance, if I want the trouser hem to have nine inches of black, then shift to four inches of yellow and six of silver at the waist, then the fabric is woven in that weight for that particular trouser, with the colour blocking at the loom stage. It’s not cut and sewn or patched onto the garment. You may also spot a border where the texture changes to satin, but it’s not sewn it’s woven. I like my garments to be pared down; they neither have embellishments nor embroidery. The weave is always the hero,” she adds.

The collection also features a toned-down colour palette
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Payal gets her textiles woven by craft clusters in Varanasi and Phulia in West Bengal. She also has three workshops and two studios in Colaba, along with two outlets, one in Kala Ghoda and another in New Delhi. With textured brocade and silk at its core, the collection also features a toned-down colour palette. Oscillating between murky yellow and indigo, it tickles the eyes with spicy reds and soft olive green.

A garment from Payal’s new collection
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She says, “I’m more interested in colour as intellect vs ornament. I made, with paint, a shade of yellow that I loved. It was the perfect dirty shade of mustard with just a hint of green. I found a deep red that paired well with it and then picked the olive as neutral to push back the two string colours. A cool toned blue to contrast completed the palette. All the colours in my collection have to work as one unit. I also included black and ivory, for the days when you don’t want to make another decision about what you want to wear. Then you just put your white shirt on.”

The collection starts at ₹27,800 on payalkhandwala.com and the brand’s stores in Mumbai and Delhi.



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Apoorva Mukhija breaks down over India’s Got Latent controversy; says “Mujhse galti ho gaye, mujhe maaf kar do” | Hindi Movie News – The Times of India

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Social media influencer Apoorva Mukhija, popularly known as The Rebel Kid, recently opened up about the emotional turmoil she faced during the India’s Got Latent controversy. According to the latest reports, on being spotted by the paparazzi in Mumbai, Apoorva admitted she cried a lot when the investigation was underway.
Speaking to the media, she advised her fans to allow themselves to cry when facing hard times, highlighting how having a supportive circle of friends made a major difference during her lowest phase.
Owning up to her mistake
When asked if she felt guilty about the controversy, Apoorva responded, “Mujhse galti ho gaye, mujhe maaf kar do,” as reported by News 18. The influencer faced major backlash earlier this year after inappropriate comments made during an episode featuring Ranveer Allahbadia went viral.
While Allahbadia’s comments drew the most outrage, Apoorva and other panel members were also dragged into the controversy. The situation spiralled into legal troubles, following public backlash and massive scrutiny, forcing Apoorva to wipe clean her Instagram account, where she had built a following of over 3 million users.
Battling fear and finding strength
While opening up about her experience, Apoorva revealed that she suffered from sleep paralysis due to the stress and constant threats she received. Every day brought new waves of news and fear, but her friends stood by her, offering reassurance and faith when she needed it most. Apoorva credited her strong support system for helping her endure the ordeal and slowly find the courage to make a comeback. Today, she is back on social media, determined to rebuild her life and career.

Apoorva Mukhija Unfollows Everyone; Is the ‘IGL’ Controversy Tearing Her Inner Circle Apart?





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