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Puducherry’s architecture and culture are the inspiration behind new colour guide

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Puducherry’s architecture and culture are the inspiration behind new colour guide


The facade of the Calve College in Puducherry.
| Photo Credit: KUMAR SS

The mention of Puducherry brings to mind its yellows, pinks, and greens. These colours and many others that define the city have inspired Nippon Paint to come up with the Pondy Style Guide. “We wanted to make something special for the people of Pondicherry,” says Mark Titus, vice president marketing – decorative division, Nippon Paint (India) and group. The recently-launched Pondy Style Guide is a curated colour palette using which people can incorporate Puducherry’s charm into their spaces.

The colour guide will be available at all the Nippon stores in Puducherry
| Photo Credit:
Special arrangement

Tamil Nadu, and as an extension, Puducherry, is a focus market for the 144-year-old Japanese paint company. Nippon entered the Indian market in 2006, starting its own manufacturing unit in the country in 2010. “Colour is special to a country as diverse as India,” says Mark, adding: “If you travel across India, you can see the colour palette change every 100 kilometres or so, depending on the buildings around you and the preferences of the people.”

The company found inspiration in Puducherry’s Indo-French architecture and its unique culture and aesthetics. After a survey by a colour specialist, it came up with a palette that reflects the city’s vibrant moods. “The book has seven curated palettes that includes yellows, pinks, browns, and reds,” notes Mark, adding that they have plans to expand this idea to other parts of the country as well.

A view of the French Institute of Pondicherry
| Photo Credit:
KUMAR SS

Pondy Style Guide will be available at all the five Nippon Paint stores in Puducherry, apart from the company’s website.



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AR Rahman breaks silence on facing backlash over daughter Khatija’s hijab photo: ‘I am not qualified enough to argue with her’ | Hindi Movie News – The Times of India

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Oscar-winning musician AR Rahman recently opened up about a long-standing controversy involving his daughter, Khatija Rahman. During a recent conversation, Rahman revisited the incident that once attracted widespread social media scrutiny—an old family photo featuring his daughter in a hijab.
Speaking on Nayandeep Rakshit’s podcast, Rahman discussed the picture in which Khatija was wearing a burqa at an event, while Rahman’s wife and other daughter, Raheema, were dressed differently. The image stirred up debate online, with many suggesting that the musician might have compelled her to wear it. Some fans even labelled him a “hypocrite” for allegedly imposing the outfit on her. Despite the assumptions, both Rahman and Khatija stood their ground and addressed the backlash with clarity and composure.

AR Rahman, Saira Banu Separate

Rahman about Khatija’s beliefs
Rahman praised his daughter for handling the negative attention with maturity. He reflected on the double-edged nature of being in the public eye and went on to share a personal anecdote, highlighting how self-assured Khatija is in her beliefs and communication. “My daughter has her own fan following, and the problem is that I am not even qualified to argue with her. She will send me two-page emails that are very articulately written, and you just sit there and admire it. I think there should be a book named ‘My Letters to Dad’,” he said with a proud smile.
Khatija’s Reaction
Khatija had also issued a public statement at the time of the controversy. She clarified that it was her choice to wear the outfit. “The recent conversation of myself on stage with my dad has been doing the rounds, although I didn’t expect such an overwhelming response. However, there were certain comments which said that this attire is being forced by my dad and that he has double standards. I would like to say that the attire I wear or the choices I make in my life do not have anything to do with my parents. The veil has been my personal choice, with complete acceptance and honour.”

Rahman’s family
Rahman recently ended his marriage with Saira Banu through a heartbreaking post on social media. The couple had been married since 1995 and decided to part ways last year, after almost three decades together. They have three children: Khatija, Raheema, and Ameen.





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A look inside the UH-3H helicopter at Visakhapatnam’s new naval aviation museum

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Once a soaring sentinel over the seas, the UH-3H helicopter is ready for its next mission. Not in the skies this time, but as a permanent museum exhibit that narrates a gripping chapter of India’s naval aviation history, offering visitors a rare opportunity to step inside and experience the world of naval aviators.

The Indian Naval Air Squadron 350 de-inducted the last three operational UH-3H helicopters last year. One of them was placed as a museum exhibit in Visakhapatnam. Situated at the Beach Road, the soon-to-be inaugurated UH-3H Helicopter Museum is the latest addition in the maritime museum circuit of Visakhapatnam, the only city in India to have five maritime museums within a 500 metres proximity.

The museum, which is expected to be inaugurated shortly during Andhra Pradesh Chief Minister Nara Chandrababu Naidu’s visit to the city, now joins a distinguished line-up of defence-themed attractions in Visakhapatnam. Just a short walk away, visitors can explore the INS Kursura Submarine Museum, a decommissioned submarine turned immersive exhibit; the TU-142 Aircraft Museum, showcasing a maritime reconnaissance aircraft; and the Sea Harrier Museum, home to the iconic naval fighter jet. Together with the Visakha Maritime Museum – which displays models of naval ships in various sizes and the glass dome of the Pakistan Naval Ship (PNS) Ghazi – these institutions form a compelling corridor of military history along the coast.

Set to open its doors to the public soon, the museum will showcase the legacy of the multi-utility UH-3H helicopter, a workhorse of the Indian Navy that has played a crucial role in humanitarian assistance and disaster relief operations (HADR) and Search and Rescue (SAR) Operations during natural disasters or emergencies at land/sea.

Naval personnel fixing the interiors of UH-3H helicopter, which will soon be inaugurated as a museum at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

Overlooking the Bay of Bengal, the museum complements Visakhapatnam’s other iconic naval exhibits, which are living galleries of India’s maritime and defence prowess.

A captivating history

Seventeen years of history lies within the new UH-3H museum, which aims to preserve and display historical information related to the helicopter. Managed by the Visakhapatnam Metropolitan Region Development Authority, the museum offers an engaging experience for visitors of all ages.

An inside view of the UH-3H helicopter museum complex, which will soon be inaugurated at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

The entryway from the glass facade opens into a vibrant, well-lit gallery where striking visuals and detailed displays trace the journey of the iconic helicopter. An audio-visual presentation adds a dramatic touch to the experience, transporting visitors into the cockpit of a naval aviator mid-mission. The entryway opens into a spacious area where the UH-3H helicopter stands tall, inviting visitors to step inside and explore its powerful features up close. The walk-through gives a glimpse of the cockpit and the crew compartment, shedding light on the triumphs and challenges of naval aviation.

Stellar past

The UH-3H helicopter was developed by Sikorsky in the late 1950s and became a pioneering force in naval aviation, especially in anti-submarine warfare. The induction process of the UH-3H helicopters into the Indian Navy began in 2007, with the signing of a contract between India and the United States of America for the purchase of INS Jalashwa, along with six Seaking helicopters (UH-3H).

Before being brought to Indian shores, the versatile helicopters were extensively used by the US Navy since the Vietnam War and were last flown during the relief operations for hurricane Katrina in 2005. These robust machines have an endurance of three hours and 45 minutes with a top speed of 120 knots. Post their active service in the US Navy, six of these aircraft were refurbished in Atlanta. The rebirth of the magnificent flying machines was complete as they were placed on the deck of INS Jalashwa, steaming towards its new home, Visakhapatnam. It was inducted into the Indian Navy on March 24, 2009 at INS Dega, Visakhapatnam.

The aircraft was named after the Indian crane sarus, embodying strength, grace and vigilance. With its remarkable capability to navigate stormy seas and rescue those in peril, the UH-3H helicopter became more than just a machine. It became a lifeline, bringing hope to those in their moments of despair.

Personnel of Eastern Naval Command setting up a Sikorsky UH-3H seaking helicopter to add to the maritime corridor on the Beach Road near TU-142 aircraft in Visakhapatnam.
| Photo Credit:
KR Deepak

On June 28 2024, the Indian Navy bid farewell to the UH-3H helicopter after 17 glorious years of service. Vice Admiral Sameer Saxena, Chief of Staff, Eastern Naval Command, in his farewell speech on the occasion of de-induction ceremony of UH-3H helipcopter said: “Over these 17 years, the UH-3H has been a symbol of hope for countless men, women and children. The squadron has undertaken numerous HADR missions within the State of Andhra Pradesh and neighbouring Odisha, which is prone to cyclonic storms and floods,” and added: “The legendary exploits of UH-3H will remain etched in our memories, inspiring future generations of naval aviators and personnel.”

Light and sound show

People watching the light and sound show depicting the 1971 India Pakistan war, sacrifice of defence personnel, and the role of Eastern Naval Command (ENC) at ‘Victory at Sea’, on the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

Visakhapatnam’s bond with the Indian Navy runs deep, with the Eastern Naval Command headquartered here. In a continuing effort to engage the public, the Navy also hosts a weekly light and sound show every Sunday at the Victory At Sea Memorial (a memorial constructed after the Indo-Pakistan war of 1971) on the Beach Road. Presented in English and Telugu, the show highlights the maritime strength and legacy of the Indian Navy, drawing both locals and tourists in large numbers.



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Emraan Hashmi’s Ground Zero struggles at the box office with Rs 37 lakh collection on day 1 | Hindi Movie News – The Times of India

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Emraan Hashmi’s much-anticipated film Ground Zero has unfortunately had a disappointing start at the box office. The film, which marks his return to the big screen after playing the antagonist in Salman Khan’s blockbuster Tiger 3, was expected to open to decent numbers. Given the film’s sensitive subject — terrorism in Kashmir — and the tragic real-life incident that took place in Pahalgam recently, there was an assumption that the film might attract attention. However, it appears to be struggling since its morning shows on day one.

Emraan Hashmi OPENS UP; Gets Real On Kashmir, ‘Ground Zero’ & The Return Of Awarapan | EXCLUSIVE

According to early trade reports, the film has witnessed several cancelled shows across the country due to lack of audience turnout. In fact, advance booking figures painted a grim picture even before the release, with just around 4,000 tickets sold across national multiplex chains for the opening day.
Ground Zero Movie Review
As per box office tracking portal Sacnilk, Ground Zero collected an underwhelming Rs 37 lakh through its morning and early afternoon shows. With the way the film’s occupancy and collections have been progressing through the day, it seems like the film will find it difficult to cross even the Rs 1 crore mark by the end of its opening day. Trade has noted that unless there’s a significant turnaround in evening and night shows or over the weekend, the film is likely to suffer at the ticket counters.
Ground Zero is set against the backdrop of insurgency-hit Kashmir in the early 2000s. The film tells the story of a critical operation led by BSF officer Narendra Nath Dubey, who played a key role in neutralizing the notorious terrorist mastermind Ghazi Baba — the man responsible for orchestrating the 2001 Indian Parliament attack. Emraan Hashmi steps into the role of the courageous officer, inspired by the real-life figure Narendra Nath Dhar Dubey.
The film follows Dubey’s eight-year tenure in Kashmir, where he not only carried out several dangerous counter-insurgency operations but also built a deep understanding of the region, its socio-political fabric, and the working of terror outfits. Despite a compelling subject and a seasoned performer like Emraan Hashmi at the center, Ground Zero seems to be finding it tough to draw audiences to theatres, perhaps due to limited promotions and stiff competition from other releases.
It remains to be seen if positive word-of-mouth or regional circuits can help the film pick up pace over the weekend.





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