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Puducherry’s architecture and culture are the inspiration behind new colour guide

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Puducherry’s architecture and culture are the inspiration behind new colour guide


The facade of the Calve College in Puducherry.
| Photo Credit: KUMAR SS

The mention of Puducherry brings to mind its yellows, pinks, and greens. These colours and many others that define the city have inspired Nippon Paint to come up with the Pondy Style Guide. “We wanted to make something special for the people of Pondicherry,” says Mark Titus, vice president marketing – decorative division, Nippon Paint (India) and group. The recently-launched Pondy Style Guide is a curated colour palette using which people can incorporate Puducherry’s charm into their spaces.

The colour guide will be available at all the Nippon stores in Puducherry

The colour guide will be available at all the Nippon stores in Puducherry
| Photo Credit:
Special arrangement

Tamil Nadu, and as an extension, Puducherry, is a focus market for the 144-year-old Japanese paint company. Nippon entered the Indian market in 2006, starting its own manufacturing unit in the country in 2010. “Colour is special to a country as diverse as India,” says Mark, adding: “If you travel across India, you can see the colour palette change every 100 kilometres or so, depending on the buildings around you and the preferences of the people.”

The company found inspiration in Puducherry’s Indo-French architecture and its unique culture and aesthetics. After a survey by a colour specialist, it came up with a palette that reflects the city’s vibrant moods. “The book has seven curated palettes that includes yellows, pinks, browns, and reds,” notes Mark, adding that they have plans to expand this idea to other parts of the country as well.

A view of the French Institute of Pondicherry

A view of the French Institute of Pondicherry
| Photo Credit:
KUMAR SS

Pondy Style Guide will be available at all the five Nippon Paint stores in Puducherry, apart from the company’s website.



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Dancer working on Riteish Deshmukh’s film ‘Raja Shivaji’ found dead; he was missing since two days | Hindi Movie News – The Times of India

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Dancer working on Riteish Deshmukh’s film ‘Raja Shivaji’ found dead; he was missing since two days | Hindi Movie News – The Times of India


Riteish Deshmukh is currently working on his next film, ‘Raja Shivaji‘ based on the life of Chhatrapati Shivaji Maharaj. Riteish is also directing the movie apart from producing it and acting in it. However, an unfortunate incident happened with a dancer who was working on the film. This dancer’s name was Saurabh Sharma and he was found dead in the early morning of April 25. He was missing since 2 days and was found dead on Monday morning.
The police have indentified his name as Saurabh Sharma and said that they found his body on April 25. They stated that this incident took place at Sangal Mahuli which is located 250kms away from Mumbai. ‘Raja Shivani’ is being shot there near the river Krishna and Veera. This 26-year old was a part of the choreography team.
According to the reports, the incident took place after Saurabh Sharma had finished filming the song. Apparently during the shoot, colour were thrown and the dancers went down near Krishna river to wash their hands. Saurabh decided to go deeper for a swim but was swept away by the strong water current. This dancer was a part of choreographer Remo D’souza‘s team.
Riteish and Genelia Deshmukh’s production house had issued a statement as the dancer was missing and wasn’t found. It read, “As soon as the news came to light, actor-director Riteish Deshmukh, producer Genelia Deshmukh and choreographer Remo D’Souza, along with the entire team, immediately reached the river bank. The help of local swimmers was immediately sought to find Saurabh, and the filming drone was used immediately for the search. Mr Deshmukh contacted Satara District Collector Mr Patil and other concerned agencies and requested them to expedite the search operation.”





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No Agenda Space: a movement of silent companionship growing across India

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No Agenda Space: a movement of silent companionship growing across India


In late March, Rakshitha A., 32, went to a stranger’s house to read a book. She settled on a sofa next to a sleepy dog, only getting up to make herself a cup of tea. Soon, she was joined by another unfamiliar woman who positioned herself at the desk in the cosy living room. The women occasionally smiled or nodded at each other but rarely spoke. While this may seem strange to most, it is a glimpse into a silent movement where women are creating safe spaces for each other.

It was in January this year that 36-year-old Meghna Chaudhury, training to be a therapist, decided to open up her home in Indiranagar, Bengaluru, to women and non-binary people, to work, paint, sleep, read, and more importantly, do nothing, if they so wished. Her post about this ‘No Agenda Space’ blew up on social media, and in just a day, 20-30 women had reached out to Chaudhury asking if they could use the space.

The idea for this initiative sparked from an unexpected afternoon of “non-talking companionship” between three of her friends, who were strangers to each other, and happened to come over on the same day in mid-January. Women existing in each other’s company without any expectations, or labour demands, made Chaudhury aware of the lack of such spaces. So, she created one.

“I named it No Agenda Space because it’s just that — a third space that isn’t their home or workplace and doesn’t demand anything, not even a conversation, from anyone who identifies as a woman,” she says. “This space is completely anti-performative small talk. But it’s often expected of women. I wanted to create a space where they can just exist.” Chaudhury’s two-bedroom apartment is open to strangers five days a week from noon to 4:30 p.m., after prior registration online. People are free to use her WiFi, grab snacks from the kitchen or even prepare something for themselves.

A visitor in Meghna Chaudhury’s No Agenda Space.
| Photo Credit:
Meghna Chaudhury

Starting this month, she is asking for a contribution of ₹80 per head to cover costs like electricity, water and so on. For safety reasons, Chaudhury has made it mandatory for people to bring an identity proof. She also ensures there are two or three women visiting at the same time. Her dog, Millie, is often a participant at these sessions and can be found cuddling up with a stranger or taking a snooze with another.

One thing Chaudhury is clear about: there will be no hosting. “It’s my rejection of the idea of a woman having to host. I don’t want the responsibility of catering to other people’s needs in my own home. I am tired of that,” she explains.

The need for a third space

Increasingly, across India, many people like Chaudhury live in the shadows of urban loneliness and find it exhausting to maintain adult friendships. There is also the constant labour that women, especially, have to do in any space. Be it physical or emotional, something is always asked of their presence. “Among all these responsibilities, you don’t get time for yourself. So, sometimes leisure is just sleeping without answering five phone calls from your children, partner or colleague,” says Chaudhury.

For the women who have used Chaudhury’s place in the last three months, it has been about not having to perform an identity and freeing themselves of clingy gendered impositions. For instance, while one woman came to take a nap, another painted, and two others who had lost their pets hung out with Millie. Interestingly, one woman was recommended the space by her therapist, while another came there to attend an online therapy session. “It made me think about how women often don’t feel safe enough to do that in their own homes,” says Chaudhury.

For people with ADHD (attention deficit hyperactivity disorder) or for those on the autism spectrum, such third spaces are helpful and nurturing, says Rinkle Jain, a neurodivergent psychologist and psychotherapist based in Mumbai. “Often, they can’t just exist the way they want. They can’t constantly get up and walk around in their workspace, or expect a quiet environment at home. So, having a third space gives them a sense of agency. It’s almost like they can breathe better,” she explains.

A refuge during the pandemic

However, the idea of providing a third space for women “to do nothing” is not entirely new. Back in 2021, at the height of the pandemic, Indu Antony set up Namma Katte in Bengaluru because she wanted to offer a safe space for women in view of the rising number of domestic violence cases.

Women take a pause at Namma Katte in Bengaluru.

Women take a pause at Namma Katte in Bengaluru.
| Photo Credit:
Indu Antony

“There was no third space where women could go without having to spend money. Namma Katte [meaning ‘our place’ in Kannada] gives them a place to exist without any questions from morning to evening,” says Antony. Since Namma Katte is situated in a public area with no doors — it used to be a shop once — Antony hopes that the next generation will see women simply resting in full visibility, something she had never witnessed growing up.

Antony points out the socio-economic disparity that exists between the people who visit Namma Katte and No Agenda Space. “When someone from the upper class starts a space like this, it garners a lot of attention but it’s not the same for people from underprivileged sections,” she says. But Antony is happy to see more women creating safe spaces for each other and hopes social barriers of caste and class can be eliminated someday.

 Indu Antony, founder of Namma Katte in Bengaluru.

 Indu Antony, founder of Namma Katte in Bengaluru.
| Photo Credit:
Vivek Muthuramalingam

A growing movement

Inspired by Chaudhury, women across Bengaluru and a few in other cities have decided to create No Agenda Spaces. For instance, Vidhu Vinod who lives in Kaggadasapura, Bengaluru, is inviting people to use her home a few days a week to “come chill”. “Women, especially, don’t have enough safe third spaces like men do, to just be themselves. The fact that this idea has picked up and we are creating a network of such spaces for each other shows how big a need this was,” says Vinod. 

In Mumbai, women can go to Shruthi Jahagirdar’s home one Sunday every month for four hours to work on their dreams. “I know how expensive the city is and working on your startup or idea in cafes is not something many can afford. Since I live by myself, the least I can give other women is four hours in my house to do whatever they want in a no-judgment zone,” she explains.

Arundhati Gaddala, who lives in Hyderabad, hopes to offer silent companionship to women through a No Agenda Space. “I want to just be there when someone needs help to get through something they might be struggling with,” she says.

Seeing how quickly and eagerly women have shown up for each other, Chaudhury feels overwhelmed. “This space has made me realise that even without words, there can be sisterhood,” she says.

The independent journalist specialises in gender, culture, and social justice.



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Pahalgam terror attack: Songs from Fawad Khan and Vaani Kapoor’s ‘Abir Gulaal’ REMOVED from YouTube amid boycott calls following Pahalgam terror attack | – The Times of India

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Pahalgam terror attack: Songs from Fawad Khan and Vaani Kapoor’s ‘Abir Gulaal’ REMOVED from YouTube amid boycott calls following Pahalgam terror attack | – The Times of India


The film ‘Abir Gulaal’, starring Pakistani actor Fawad Khan and Indian actress Vaani Kapoor, has become the centre of a major controversy in India following the terror attack in Pahalgam, Jammu and Kashmir, on April 22, 2025. The tragic incident, which reportedly claimed the lives of 26 people, mostly tourists, has sparked widespread outrage across the country, leading to calls for a boycott of the film.
Songs from ‘Abir Gulaal’ vanish from YouTube
‘Abir Gulaal’ makers had previously released two songs to promote the film: a romantic ballad titled ‘Khudaya Ishq’ and an upbeat dance number ‘Angreji Rangrasiya’. Both tracks were initially available on the official YouTube channel of the production house, as well as on Saregama’s channel, the label holding the music rights. However, these songs have now vanished from YouTube India. The film’s makers had earlier announced that a new track, ‘Tain Tain’, would be released on Wednesday, but this too has not been released yet.No release of ‘Abir Gulaal’ in India
As tensions rise over the ongoing political and social atmosphere, reports have surfaced that Abir Gulaal will not be allowed to release in India. A PTI report confirmed on Thursday that the Indian government has decided to block the release of the film, citing the Pahalgam terror attack as the driving factor. The government sources stated, “The movie Abir Gulaal, starring Pakistani actor Fawad Khan, will not be allowed to release in India.”
Actors speak out against the Pahalgam terror attack
Amid the controversy, both Fawad and Vaani took to social media and expressed their condemnation of the Pahalgam terror attack. Fawad Khan shared his heartfelt condolences, writing, “Deeply saddened to hear the news of the heinous attack in Pahalgam. Our thoughts and prayers are with the victims of this horrifying incident, and we pray for strength and healing for their families in this difficult time.”
Vaani Kapoor, too, shared her shock and devastation following the attack. “I have been numb, at a loss for words since the time I saw the attack on innocent people in Pahalgam. Gutted. Devastated. My prayers are with the families,” she said, expressing her empathy for the victims of the tragedy.

Emraan Hashmi OPENS UP; Gets Real On Kashmir, ‘Ground Zero’ & The Return Of Awarapan | EXCLUSIVE





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