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Augusto Creations comes up with a novel theme for its latest Tamil play Akhila Kitty

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Augusto Creations comes up with a novel theme for its latest Tamil play Akhila Kitty


Akhila Kitty, the new Tamil play inaugurated by Augusto Creations at the Kodai Nataka Vizha 2025.
| Photo Credit: SRINATH M

Augusto is known for his scripts based on crime, and his latest play Akhila Kitty, staged for Kartik Fine Arts’ Kodai Nataka Vizha, also has crime as its theme. The titular character Akhila Kitty (Usha Nandini) is a much sought-after writer of mystery stories. Her thrillers, serialised in a magazine, boost its circulation. Unfortunately, Akhila dies before completing her latest story. The editor of the magazine hits upon an idea to shore up sales. He invites submissions to complete the story, with a prize for the best submission. There is a deluge of responses, including an AI-generated story! Vannappan’s (Pothilingam) story wins the prize.

It turns out that Akhila’s story was based on facts. There is a criminal at large, who has escaped the legal dragnet, thanks to a police officer who suppressed crucial evidence. Akhila had clinching proof about the criminal mastermind’s modus operandi, and was going to expose him through her story, before she died mysteriously. How he is snared forms the rest of the story.

From Augusto Creations’ Tamil Play ‘Akhila Kitty’.
| Photo Credit:
SRINATH M

For a suspense play to be appealing, the tempo is important. Augusto Creations’ Akhila Kitty had a promising start, but soon slowed down. The tenant Raju (Karthikeyan) served no purpose in the story. There could have been a lineup of suspects, all with possible motives, to keep the audience guessing till the end. Such a lineup would have been possible, if Akhila’s novel had been shown as half finished, instead of nearing its conclusion. The identity of the perpetrator was revealed midway through the play, and this took the edge off the excitement. The rest of the play was a mere formality. Shakila cheerfully indulging in light-hearted banter with Vannappan, soon after her sister Akhila’s death was odd. The sudden mellowing down of the villain, who had been bumping off those who were inconvenient to him, was not convincing. There were some well-written lines, for which Augusto must be complimented. The theme stood out for its novelty, but it could have been handled better.



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Blackpink’s Rosé to Sing in Brad Pitt’s Upcoming Racing Film ‘F1’

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Rosé (left) and Brad Pitt (right). Photo: Courtesy of Blackpink’s official Instagram account; movie poster for ‘FI,’ courtesy of IMDB.

Blackpink‘s Rosé is one of the artists contributing to the original soundtrack, F1: The Album, for the upcoming Hollywood film F1, heralding her first movie soundtrack.

The album is “an exciting mix of established and new talent, with plenty of original songs,” according to a Formula 1 article, which also features renowned artists like Ed Sheeran, Doja Cat, Don Toliver, Tate McRae, Raye, and many more, in addition to the Blackpink singer and solo artist. It also reveals that the Miami Grand Prix is hosting an exclusive and immersive F1: The Album activation to commemorate the soundtrack’s release. The event, set to take place in a secluded VIP paddock only a few feet from the real F1 team garages, will bring the movie’s fictitious racing team to life with a reproduction of their garage.

F1, a sports drama directed by Joseph Kosinski, stars Brad Pitt as Sonny Hayes, a former Formula One (F1) racer who calls it quits after a tragic accident. Years later, he’s pulled back into the racing world when a Formula One team owner asks him to coach rookie driver Joshua Pearce (Damson Idris) and revive the struggling Apex Grand Prix team’s shot at a championship title.

Regarding her involvement in the project, Rosé took to her Instagram page, sharing the F1: The Album poster and expressing her excitement. “I am soooooo frickin excited for you all to hear my very first movie soundtrack … It’s happening!! This movie’s gonna be willldddd,” she wrote.

The record will be available in stores from June 27th, coinciding with the film’s release.

See the full list of tracks below.

  1. Don Toliver – Lose My Mind (feat Doja Cat)
  2. Dom Dolla – No Room for A Saint (feat Nathan Nicholson)
  3. Ed Sheeran – Drive
  4. Tate McRae – Just Keep Watching
  5. Rose– Messy
  6. Burna Boy – Don’t Let Me Drown
  7. Roddy Ricch – Underdog
  8. Raye – Grandma Calls the Boys Bad News
  9. Chris Stapleton – Bad as I Used to Be
  10. Myke Towers – Baja California
  11. Tiësto & Sexyy Red – OMG!
  12. Madison Beer – All At Once
  13. Peggy Gou – D.A.N.C.E
  14. Pawsa – Double C
  15. Mr Eazi – Attention
  16. Darkoo – Give Me Love
  17. Obongjayar – Gasoline





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Hrithik Roshan’s sister Sunaina Roshan opens up on alcohol addiction, went to rehab to get cured: ‘I was just going through a very vulnerable stage | Hindi Movie News – The Times of India

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Hrithik Roshan‘s sister Sunaina Roshan has faced some severe health crises and had to deal with them. That put her in an extremely vulnerable state. Sunaina is the elder to Hrithik and in a recent interview, she opened up on her vulnerable state. She also revealed how she went to her parents Rakesh Roshan and Pinkie Roshan to help her get into rehab so that she could get over this addiction.
Sunaina said in an interview with Pinkvilla, “I was just going through a very vulnerable stage, probably after fighting tuberculosis and cancer. I had a lot of illnesses, like a bad attack of Zoster Herpes. I was just tired of fighting. I said I can’t take this anymore, I need some help. I took to alcohol because I was very, very vulnerable.”
She added, “After a month or so, I didn’t like myself drinking from morning to night or in the evenings. That’s the only phase I disliked myself. Dad had bodyguards. He did everything for me not to drink. But obviously, if an alcoholic drinks once, they just get it.”
Sunaina also spoke about the after effects of alcohol due to which, she would just fall off beds and hurt herself, amidst much more. “I used to fall off beds and chairs. I used to get marks on my bodies. Not cuts, but my skin would turn red or blue. Once you start drinking and are at that vulnerable stage, your body wants more and more, each and every single day. And it’s a very vicious cycle. Because once the alcohol effect is down, you get anxiety and palpitation, you are dehydrated. So to cover up for all that, you drink more. I’d advice everyone to not depend on any substance because for those many months, you feel good, but the aftereffects are bad,” she said.
That’s when she told her parents to put her in rehab. “In India, you pay people money, they’ll still get it (alcohol) for you on the sly. It’s an easy source, no matter where you’re in India. I told them I want to get cured because this is not me, succumbing to something like that,” she said.
Sunaina revealed about her rehab experience and said, “I didn’t sleep for 28 days. They just asked you questions one after the other, just taking it all out of your system. We had our breakfast by 6-6:30. No perfumes, no sugar, no chocolates, nothing that’s addictive.”





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Khushee Ravi on ‘Ayyana Mane’: Thriller with a touch of supernatural

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The web series, Ayyana Mane, starring Khushee Ravi, Akshya Nayak and Manasi Sudheer is written and directed by Ramesh Indira. “I play an innocent girl, Jaaji, who marries Dushyantha (played by Akshya Nayak) to become part of the sprawling Ayyana Mane household,” says Khushee.

“Jaaji values traditions, family values but is also curious and starts digging into the family’s past, which leads to many discoveries and the family’s dark secrets come tumbling out. Will she get embroiled in the darkness she discovers or not forms the crux of the story.”

Khushee, who has just returned to Bengaluru, post the completion of shooting is a known name in Kannada film and theatre circles. She also played the titular role in the 2020 Kannada film, Dia, and won accolades for portraying a brooding introvert. The film, released on digital platforms during the pandemic, was one of the most viewed films of the time.

Khushee made her feature film debut with the Kannada film The Great Story of Sodabuddi, in 2016 and went on to act in films such as Spooky College, Nakshe, and the Telugu film, Pindam.

Set in the 1990s, Ayyana Mane is shot in Chikamagalur and showcases local culture. Khushee describes Ayyana Mane as a mystery thriller with a touch of the paranormal. The six episode series is the first commissioned Kannada web series, Khushee says. “Here is hoping that there will be many more.”

Working with Ramesh Indira, whose name is synonymous with Kannada serials and cinema, Khushee says was a breeze. “I always wanted to work with him as I was familiar with his work. Even if you are unprepared but know your lines, he will make sure to bring out the best in you.”

It is great to work with a director who has absolute clarity about what they want from an actor, says Khushee. “Ramesh’s fame with Sapta Sagaradaache Ello, where he plays the antagonist,put him in the spotlight as an actor. I had seen his work as a director and a writer and now to see him on screen as an actor, was mind-boggling.”

Ramesh being adept in all these roles, makes him a director par excellence, Khushee says. “I was thrilled when he offered me the role in Ayyana Mane.”

Ramesh’s writing is strong, says Khushee. “Women always take the centre stage in his stories, be it his films, serials or a web series, like Ayyana Mane.

Khushee, who still reels from the success of Dia, says, “I owe everything to the film and its director,  KS Ashoka. To be identified with a character portrayed on screen even after five years, only shows how much people have connected with the story.”

However, Khushee says, “It is time to keep that aside and create some new stories and characters with which I again hope to create the same impact. Dia is and will always remain special to me.”

Khushee, who is working in other south Indian films, says every film industry is special. “Each has its own strengths and plus points. The added edge in the Telugu film industry is that they spoil you rotten on sets.”

Though today she is in the spotlight, Khushee is in no hurry to add numbers to her credit and looks for meaningful roles and powerful stories. This, she says, is because she comes from a theatre background.

“I trained under B Jayashree and worked with her in Spandana theatre group. Theatre changes you from inside and out. In the end, all that matters is stories, characters and their powerful portrayals on screen. I knew in my heart that I would not thrive in a nine-to-five job. I knew that acting is something I always wanted to pursue.”

In cinema, she looks forward to the release of the Kannada film Full Meals and Son of Muthanna.  

Ayyana Mane is currently streaming on Zee5



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