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Retreat like the royals at Fort Rajwada in Jaisalmer

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Retreat like the royals at Fort Rajwada in Jaisalmer


Jaisalmer is arid and parched. Desert brush dot the sands that seem to stretch endlessly. In the city, the barrenness is equally pronounced, which makes the first glance of Fort Rajwada even more impressive.

The gates loom large and majestic and the driveway curves past green lawns to stop at ornate double doors, intricately carved in sterling silver. Once you step through them you travel back in time to the land of maharajas, flying carpets and caparisoned elephants.

Except, this fort has only been around for two decades.

Vinay Khosla, managing director, Fort Rajwada, explains, “This is a built fort, one among the few hotels of this size constructed in 1999, with an intent to replicate the historic forts of the region.” He adds that it changed hands in 2017, and once it came into their possession, they began upgrading it as a hotel.

First, there is the traditional welcome, complete with aarti, tikka and a garland of marigolds. Next, a warm towel materialises on a salver and honestly, it is a little hard to pay attention to these ministrations when the foyer is so captivating.

Every visible surface exudes opulence — chandeliers, lush carpets, elaborate wallpaper, plush upholstery and carved stone pillars. The inner doors, again sterling silver, open out into a courtyard walled off with turrets at each corner. A huge marble fountain is flanked by walkways and nooks to the different wings of the fort that house the rooms.

Fort Rajwada
| Photo Credit:
Ruth Dhanaraj

Each wing sports a different motif (rosette, geometric, and the like), which is mirrored throughout — from the accents on the room’s furniture to the smaller fountain in the centre of that wing. The attention to detail is astounding. Four poster beds, wood and rattan panelling, burnished brass fittings and cut glass lights, add to the continued feeling of stateliness.

Once you have settled in and shaken off your travel weariness, the hotel provides sightseeing trips into the city where one can marvel at its stunning historic architecture, and indulge in sampling local wares, arts and crafts.

Back at the Fort, arrangements are made for bonfires, folk singers and puppet shows in the evening for the entertainment of guests.

Indigenous materials

The overall colour scheme at the fort is gold, cream and beige, offset by warm wood and bright home decor.

“For the exteriors, Jaisalmer stone or sandstone indigenous to the region has been used; its hue is why we are called the Golden City. Inside, we’ve used Botticino and Red Levante, both Italian marble, while the lobby is done up in white Makrana, an exquisite white stone mined in Rajasthan,” says Vinay.

Though their wallpaper has been created by multiple award-winning designers, Vinay says the walls and ceiling of their reception area have been done by hand. “Artisans from various regions of our country, including Shekhawati, took about three years to complete their work in our hotel.”

Fort Rajwada

Fort Rajwada
| Photo Credit:
Ruth Dhanaraj

A brightly-coloured 20×20 mural depicting scenes from The Ramayana dominates one wall of the foyer. “We believe these 35 frames showing different instances from the epic will help guests understand our festivals and the celebration of good over evil,” says Vinay.

With a room count of 99, the living spaces in Fort Rajwada have been designed to make guests feel at home. The Elephant and Monkey Lounges complete with well-stocked bookshelves, faux fireplace and antique Persian carpets (monogrammed by the craftsmen), give guests the freedom to socialise in an elegant sitting room.

Indian miniatures from the Company School — art done during the time of the East India Company, when European painters came to India with their techniques — line the corridors and a huge Tanjore work of art adorns the landing.

Past the first glance

“Service providers are also service receivers,” says Vinay, explaining how they updated the hotel. “Every product has a life cycle or a shelf life. If the same product is being stretched beyond its use it won’t make economic sense in the long run.”

According to Vinay, Fort Rajwada deploys sustainable methods for the upkeep of the hotel. “Stone paint has a limited commercial life, so for us to enhance longevity, various tools and equipment are used on a regular basis.”

Fort Rajwada

Fort Rajwada
| Photo Credit:
Ruth Dhanaraj

Being a desert, almost every commodity in Rajasthan is hard to come by and is therefore more dearer than it would be elsewhere in the country. Thankfully, the Fort runs an effective rainwater harvesting and waste composting system. “With the hotel industry contributing to the world’s carbon emissions, it’s time for us to take sustainability measures and adopt more eco-friendly business practices,” says Vinay.

The writer was in Jaisalmer on the invitation of Fort Rajwada

Getting there

The best time to visit Jaisalmer is between October and March. As it is a defence airport, flights are limited but one can travel by road from Jodhpur in 4.5 hours. With well-paved roads sporting barely a pothole, even the most sensitive of car sick souls, will not have complaints.

Sightseeing in Jaisalmer

Jaisalmer Fort, Patwon Ki Haveli and the Jain Temples within the Fort are the main attractions. Many other edifices built using similar styles will captivate those with an interest in history and architecture.

Desert safaris and camel rides and camping will appeal to those willing to rough it out.

The Jaisalmer War Museum, Desert Culture Centre & Museum, Longewala War Memorial and Thar Heritage Museum beckon history buffs.

Gadisisar Sagar Lake, Kuldhara Abandoned Village, Akal Wood Fossil Park and Desert National Park are some other attractions apart from stores selling antique ware and handicrafts of the region.

Fort Rajwada

Fort Rajwada
| Photo Credit:
Ruth Dhanaraj



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​Did you know Yo Yo Honey Singh composed ‘Aata Majhi Satakli’ from ‘Singham Returns’ in just 24 hours? | Hindi Movie News – The Times of India

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​Did you know Yo Yo Honey Singh composed ‘Aata Majhi Satakli’ from ‘Singham Returns’ in just 24 hours? | Hindi Movie News – The Times of India


At the recent launch of the song Money Money from Ajay Devgn‘s upcoming film ‘Raid 2,’ rapper and music producer Yo Yo Honey Singh shared an interesting anecdote about his hit track ‘Aata Majhi Satakli‘ from Singham Returns. He revealed that the chartbuster was composed in just 24 hours. Adding a humorous twist, he admitted that he arrived four hours late for the session.
In conversation with Hindustan Times, Honey Singh shared, “I want to thank Bhushan ji for this opportunity. He has always believed in me. I just have one complaint—he always calls me for a song at the last minute. You won’t believe it, but I composed Ajay Sir’s last song, ‘Aata Majhi Satakli’, from ‘Singham Returns’ in just 24 hours! Thankfully, for this song, we got more than 24 hours. Raj Kumar Gupta, Kumar Mangat Pathak, and Abhishek Pathak came to Delhi to meet me”.
Recalling an incident
During the event, Honey Singh spoke about an incident from the time he worked on ‘Aata Majhi Satakli’. He mentioned that he had arrived four hours late on set and had expected to be scolded. However, Ajay Devgn greeted him warmly, which left a lasting impression on him. Singh said that this gesture made him admire Ajay Devgn not just as an actor but also as a person. Reflecting on the experience, he shared that he made sure to be punctual on the sets of ‘Raid 2’ and has since corrected many of his past mistakes, learning valuable lessons about professionalism and longevity in the industry.
Ajay as an IRS officer in ‘Raid 2’
Devgn returns as the relentless IRS officer in Raid 2, with Vaani Kapoor playing a key role alongside him. As the film’s release approaches, excitement is mounting for the gripping clash between justice and corruption.
The film is directed by Raj Kumar Gupta. ‘Raid 2’ is set to release theatrically on May 1, 2025.

Raid 2 | Song – Money Money





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Meet Shashaank Saravanakumar, a young para cyclist breaking barriers in Coimbatore

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Meet Shashaank Saravanakumar, a young para cyclist breaking barriers in Coimbatore


Shashaank Saravanakumar
| Photo Credit: Special Arrangement

Fourteen-year-old Shashaank Saravanakumar may be soft-spoken, but on the road, his determination speaks volumes. A student of St Antony’s School, Puliyakulam, Coimbatore, Shashaank recently made his mark at the first Para-national Road Cycling Championship held in Hyderabad. Representing Tamil Nadu in the CII (Intellectual Impairment) category for juniors under 19, he completed the 12-km race in an impressive 43 minutes and 32 seconds, securing fifth place in a field of seasoned young riders from across India.

But for Shashaank, cycling is more than competition. “Cycling means fun and happiness to me. Every ride tells me a story,” he says with a bright smile. It is a passion that began when he received his first basic cycle from Decathlon. Encouraged by his mother to ride daily, his enthusiasm deepened when his grandfather gifted him a hybrid bicycle in Class 7. What began as a life skill blossomed into a calling.

His typical day starts early, with a 20 to 25 km ride through the streets of Coimbatore. His mother follows closely on her scooter for safety, while his fitness coach, Ranjit, guides him through strength routines in the morning or evening. “My coach Kathir Sir played a major role in teaching me cycling techniques,” says Shashaank. “And my twin brother Shreenick is my riding partner and motivator. We go cycling together often.” On weekends, he joins fellow cyclists from the CooKoo Cycling Club for longer distance rides.

Shashaank Saravanakumar

Shashaank Saravanakumar
| Photo Credit:
Special Arrangement

While Shashaank enjoys the wind in his hair and the stories the road tells him, the journey has not been without its challenges. “Traffic was a problem at first,” he admits, “but I learned to overcome it.”

His selection to represent Tamil Nadu at the Para-nationals was a moment of immense pride. “I felt so happy to wear the yellow jersey of Tamil Nadu,” he recalls. The experience in Hyderabad was unforgettable. “There were so many cyclists from all over India. I wasn’t nervous—I was excited to meet everyone!”

Crossing the finish line in fifth place filled him with a quiet confidence. “I thought I would be a chef,” he says, a nod to his dream of becoming one in the future. Shashaank is not one to look for role models. “No, I will create my own style,” he says.

That ambition extends beyond just medals. “I want to win the para-cycling championship next year and represent India in the Paralympics,” he says.

When he is not training or racing, you can find Shashaank helping his mother in the kitchen or swimming. He is especially fond of train journeys, always picking the window seat so he can watch the scenery go by. It is the same sense of wonder that fuels his rides, watching the world roll past, one pedal at a time.



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‘Emergency’ lands in legal trouble: Makers of Kangana Ranaut starrer sued by author for ‘historical inaccuracies’ | Hindi Movie News – The Times of India

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‘Emergency’ lands in legal trouble: Makers of Kangana Ranaut starrer sued by author for ‘historical inaccuracies’ | Hindi Movie News – The Times of India


Kangana Ranaut’s much-talked-about film ‘Emergency’ has once again landed in legal trouble.The historical drama, which stars Ranaut as former Prime Minister Indira Gandhi, is now caught in a legal mess after senior journalist and author Coomi Kapoor filed a lawsuit against the makers.
As reported by PTI, Kapoor has accused Kangana’s production house, Manikarnika Films Private Limited, and streaming platform Netflix of wrongly using her book and name, and of changing historical facts in the film.
‘They breached the contract’
Coomi Kapoor, who wrote ‘The Emergency: A Personal History’, claims that she had signed a contract with Manikarnika Films and Penguin Random House allowing the adaptation of her book into a feature film. However, she believes that the agreement has been “blatantly breached.” According to the agreement, the filmmakers had the right to creatively adapt the content. But there were two important conditions added by Kapoor herself, on her daughter’s legal advice.
“My daughter is a lawyer, so on her advice, I had included two clauses. While the producers had full artistic freedom to create the film, nothing should be altered that contradicts historical facts that are publicly available,” Kapoor told PTI.
She added, “The contract also stated that the author’s name and book could not be used for promoting or exploiting the film without prior written consent. I was in Goa and had not seen the film at the time, believing that they would honour the contract. But they are still claiming that the film is based on the book.”

Film accused of using her name without permission
The journalist says she was shocked to see that the title of the film – ‘Emergency’ – was too close to her book’s name. She believes this was done on purpose to gain attention. Kapoor said the original plan was for the film to use only one specific chapter from her book focusing on Indira Gandhi. Instead, the film went much further, she claims, and included “historical inaccuracies”.
“Factually, the Emergency was not removed till after Mrs Indira Gandhi lost the general election in March 1977,” her legal notice stated.
Kapoor also pointed out that the filmmakers did not respond to the legal notices she had sent on 3 April. With no reply from Kangana’s team or Netflix, she moved ahead with a formal lawsuit.

Seeking compensation for ‘damage’
Kapoor says the film has caused her serious reputational and professional harm. She’s now asking for compensation to cover what she calls emotional, financial and legal damage.
As mentioned by PTI, the legal notice read, “If you fail to comply, our client reserves the right to initiate legal proceedings to seek appropriate remedies for this egregious violation of her rights.”
What is the film ‘Emergency’ about?
Released in cinemas on 17 January 2025, ‘Emergency’ is a political drama set during one of the most controversial periods in Indian history, the 21-month Emergency declared by Indira Gandhi from 1975 to 1977. Kangana Ranaut not only stars in the lead role as Indira Gandhi but also directs and co-produces the film under her banner Manikarnika Films. The cast includes some well-known names like Anupam Kher Shreyas Talpade, Milind Soman, Mahima Chaudhry, and others.

Kangana Ranaut stunned by ₹1 lakh electricity bill for Manali home: ‘Main rehti bhi nahi hoon’





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