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Pawan Kalyan lends clarification amid row over ‘Tamil movie dubbing’ comment: ‘Never opposed Hindi’ | – The Times of India

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Pawan Kalyan lends clarification amid row over ‘Tamil movie dubbing’ comment: ‘Never opposed Hindi’ | – The Times of India


Amid controversy over his remark on Tamil films being ‘dubbed’ in Hindi, Andhra Pradesh Deputy Chief Minister Pawan Kalyan clarified on Saturday that he has never opposed the Hindi language.
Jana Sena Party chief Pawan Kalyan took to X to condemn the misinterpretation of the National Education Policy (NEP) 2020 for political gains. He denied changing his stance on the policy, calling such claims a result of “lack of mutual understanding.”
He stated that his party firmly supports linguistic freedom and its principles, as well as the right of every Indian to choose their education.
He wrote, ‘Both the tendencies of forcible imposition of a language or blindly opposing a language are not helpful in achieving the basic objective of national and cultural unity of our country India.’
Amid the clash between the central government and the Tamil Nadu administration over the alleged ‘Hindi imposition’ in NEP’s three-language policy, Kalyan pointed out that while these leaders oppose Hindi, they permit Tamil films to be dubbed in the language for financial benefits.
During his Jana Sena Party’s 12th foundation day celebrations in Pithampuram, Kakinada, Kalyan questioned why some criticize Sanskrit and why Tamil Nadu politicians oppose Hindi while allowing their films to be dubbed in Hindi for financial gain. He remarked, “They want money from Bollywood but refuse to accept Hindi—what kind of logic is that?”
His remarks sparked strong backlash from the DMK and several leaders, including actor-politician Prakash Raj.

The DMK accused him of hypocrisy, claiming he knows nothing about “state politics,” while Prakash Raj clarified that the issue is not about hating another language but about safeguarding “our mother tongue and cultural identity.”
In his clarification, Kalyan stated that he has never opposed the Hindi language, but only those who are “making it compulsory for everyone.”
“When the NEP-2020 itself does not make Hindi compulsory, then making false statements about its implementation is nothing but misleading the public,” he wrote in Hindi in his X post.
The actor-politician further explained that under the NEP, students can choose any two Indian languages (including their mother tongue) along with a foreign language. He emphasized that if students do not want to study Hindi, they can opt for languages like Telugu, Tamil, Malayalam, Kannada, Marathi, Sanskrit, and many others.
Kalyan explained that the goal of the multilingual (three-language) policy is to offer students a broader range of choices, fostering national unity while preserving India’s linguistic diversity. He added, “Misinterpreting this policy for political reasons and claiming that I’ve changed my stance only reflects a lack of mutual understanding,” said Andhra’s deputy CM.





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‘Emergency’ lands in legal trouble: Makers of Kangana Ranaut starrer sued by author for ‘historical inaccuracies’ | Hindi Movie News – The Times of India

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‘Emergency’ lands in legal trouble: Makers of Kangana Ranaut starrer sued by author for ‘historical inaccuracies’ | Hindi Movie News – The Times of India


Kangana Ranaut’s much-talked-about film ‘Emergency’ has once again landed in legal trouble.The historical drama, which stars Ranaut as former Prime Minister Indira Gandhi, is now caught in a legal mess after senior journalist and author Coomi Kapoor filed a lawsuit against the makers.
As reported by PTI, Kapoor has accused Kangana’s production house, Manikarnika Films Private Limited, and streaming platform Netflix of wrongly using her book and name, and of changing historical facts in the film.
‘They breached the contract’
Coomi Kapoor, who wrote ‘The Emergency: A Personal History’, claims that she had signed a contract with Manikarnika Films and Penguin Random House allowing the adaptation of her book into a feature film. However, she believes that the agreement has been “blatantly breached.” According to the agreement, the filmmakers had the right to creatively adapt the content. But there were two important conditions added by Kapoor herself, on her daughter’s legal advice.
“My daughter is a lawyer, so on her advice, I had included two clauses. While the producers had full artistic freedom to create the film, nothing should be altered that contradicts historical facts that are publicly available,” Kapoor told PTI.
She added, “The contract also stated that the author’s name and book could not be used for promoting or exploiting the film without prior written consent. I was in Goa and had not seen the film at the time, believing that they would honour the contract. But they are still claiming that the film is based on the book.”

Film accused of using her name without permission
The journalist says she was shocked to see that the title of the film – ‘Emergency’ – was too close to her book’s name. She believes this was done on purpose to gain attention. Kapoor said the original plan was for the film to use only one specific chapter from her book focusing on Indira Gandhi. Instead, the film went much further, she claims, and included “historical inaccuracies”.
“Factually, the Emergency was not removed till after Mrs Indira Gandhi lost the general election in March 1977,” her legal notice stated.
Kapoor also pointed out that the filmmakers did not respond to the legal notices she had sent on 3 April. With no reply from Kangana’s team or Netflix, she moved ahead with a formal lawsuit.

Seeking compensation for ‘damage’
Kapoor says the film has caused her serious reputational and professional harm. She’s now asking for compensation to cover what she calls emotional, financial and legal damage.
As mentioned by PTI, the legal notice read, “If you fail to comply, our client reserves the right to initiate legal proceedings to seek appropriate remedies for this egregious violation of her rights.”
What is the film ‘Emergency’ about?
Released in cinemas on 17 January 2025, ‘Emergency’ is a political drama set during one of the most controversial periods in Indian history, the 21-month Emergency declared by Indira Gandhi from 1975 to 1977. Kangana Ranaut not only stars in the lead role as Indira Gandhi but also directs and co-produces the film under her banner Manikarnika Films. The cast includes some well-known names like Anupam Kher Shreyas Talpade, Milind Soman, Mahima Chaudhry, and others.

Kangana Ranaut stunned by ₹1 lakh electricity bill for Manali home: ‘Main rehti bhi nahi hoon’





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Salman Khan was paid Rs.10 crore more than Govinda for ‘Partner’, reveals writer Alok Upadhyay | Hindi Movie News – The Times of India

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Salman Khan was paid Rs.10 crore more than Govinda for ‘Partner’, reveals writer Alok Upadhyay | Hindi Movie News – The Times of India


In 2007, Bollywood gave us one of its most-loved comedy films – ‘Partner’. Starring Salman Khan, Govinda, Katrina Kaif and Lara Dutta, the film had everything – laughs, romance, music, and of course, the unbeatable bromance between Salman and Govinda.
Directed by David Dhawan, ‘Partner’ wasn’t just a hit at the box office, but also entertained millions. What happened behind the scenes was just as entertaining. Now, writer Alok Upadhyay has spilled the beans on one particularly funny moment during the shoot of the song ‘Soni De Nakhre’ – and it’s all about two superstars, a choreographer obsessed with legs, and a director who wasn’t having any of it.

Salman and Govinda charged THIS amount for ‘Partner’

By the time ‘Partner’ rolled around, both Salman Khan and Govinda were huge names in the industry. So it’s no surprise that they charged a combined Rs 15 crore for the film, with Salman reportedly getting Rs 10 crore and Govinda Rs 5 crore.
While speaking to the YouTube channel Lightscameramasti, writer Alok Upadhyay praised director David Dhawan’s sharp eye for detail and his control over the entire shoot. Alok said, “He keeps his eyes on everyone simultaneously while shooting and already knows how he’ll edit the scene.”
He also added that David Dhawan’s understanding of commercial cinema was so strong, he could get any actor to do exactly what he wanted. But things didn’t always go smoothly, especially during the shoot of the chartbuster song ‘Soni De Nakhre’.

“15 crore ke actor ki taange dikhaai ja rahi hain”
Alok recalled how Dhawan wasn’t happy when the choreographer kept shooting long shots focusing on the stars’ legs. “David saahab mere paas bethe bolte hain ke ek actor 10 crore le raha hai aur ek 5 crore le raha hai. 15 crore ke actor ki taange dikhaai ja rahi hain, koi matlab to hai nahi.” (David was basically saying, “One actor has charged Rs 10 crore, the other Rs 5 crore, and we’re just showing their legs? What’s the point?”)
That’s when the filmmaker decided to take matters into his own hands and told the choreographer to stop wasting time with decorative shots. He wanted the focus to be on the stars, where it belonged. “Jo 15 crore ke 2 khade hain inka close maar,” David reportedly told the crew. (Get those close-ups of the two leading men, not their knees!). Upadhyay went on to share that David quickly reworked the shot and simply told the actors to do their thing, and the result? One of the most loved dance numbers!

Salman Khan Targeted Again; Explosive Threat Hits Transport Department





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Not Aishwarya Rai, Kajol was the FIRST choice to play Shah Rukh Khan’s sister in Josh, reveals director Mansoor Khan | – The Times of India

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Not Aishwarya Rai, Kajol was the FIRST choice to play Shah Rukh Khan’s sister in Josh, reveals director Mansoor Khan | – The Times of India


Mansoor Khan revealed surprising casting choices for his film ‘Josh.’ Shah Rukh Khan was always the first choice for Max, but Aamir Khan initially assumed he would play the role. Kajol declined the sister’s role, wanting to play Max instead. Aishwarya Rai’s professionalism impressed Khan, as she accepted the role without concern for character prominence.

Filmmaker Mansoor Khan, known for hit films like Qayamat Se Qayamat Tak and Jo Jeeta Wohi Sikandar, recently spoke about the casting of his 2000 movie Josh. In a new interview with PTI, he revealed that the film’s cast could have looked very different. Aamir Khan was first considered to play Aishwarya Rai’s love interest, and Kajol was originally offered the role that later went to Aishwarya. The film eventually starred Shah Rukh Khan and Aishwarya as twins.
Shah Rukh Khan Was Always the First Choice for Max
The director shared that SRK was always his first choice to play the role of Max in Josh. However, when he first discussed the script with Aamir Khan, Aamir assumed he would be cast as Max. Later, when Mansoor approached Shah Rukh with the same role, the actor was enthusiastic. But after realizing that Aamir might be involved, Shah Rukh stepped back from the project, which led to a change in casting plans.Kajol Wanted to Play Max, Not the Sister
Eventually, Shah Rukh came back on board to play Max, while Aamir left the project. But casting challenges continued. When Mansoor Khan offered the role of Max’s twin sister to Kajol—who had already shared blockbuster success with Shah Rukh in films like DDLJ and Kuch Kuch Hota Hai—she surprised him by walking out after the narration. When asked about taking the role, she declined, expressing interest in playing Max instead, as she felt that character carried more charm.

Aishwarya Rai’s Professionalism Sealed the Deal
Things finally fell into place when Mansoor Khan approached Aishwarya for the role. Unlike others, she didn’t focus on which character had more prominence. She appreciated the overall story and agreed to come on board. Her professionalism stood out, and Mansoor believes Josh was one of her finest performances.
The filmmaker highlighted that his casting decisions are guided by conviction rather than commercial appeal. He shared that he doesn’t focus on whether the pairing will be a box-office hit, but instead prioritizes whether he personally believes in the casting choice.





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