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Kangana Ranaut receives legal notice for ‘distorting facts’ in Emergency, author threatens to sue her for contract breach: ‘If you fail to…’

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Kangana Ranaut receives legal notice for ‘distorting facts’ in Emergency, author threatens to sue her for contract breach: ‘If you fail to…’



The Emergency author Coomi Kapoor has accused Kangana Ranaut’s production house Manikarnika Films of “multiple factual inaccuracies and misleading portrayals of historical events” in the 2025 political drama film Emergency, which was headlined and helmed by Ranaut in her solo directorial debut.

Kangana Ranaut lands in legal trouble over Emergency

Actor and BJP MP Kangana Ranaut’s controversial film Emergency has landed in trouble once again after senior journalist and author Coomi Kapoor accused her production house, Manikarnika Films Private Limited, and Netflix of “intentionally and maliciously distorting facts” and exploiting her name by claiming that the film is based on her book, The Emergency: A Personal History. Kapoor, whose book was published by Penguin in 2015, has claimed that the tripartite agreement signed between Manikarnika Films, Penguin and herself regarding the book’s intellectual property rights for adaption into a feature film has been “blatantly breached.” She has accused the makers of the film of “multiple factual inaccuracies and misleading portrayals of historical events.”

“My daughter is a lawyer, so on her advice, I had included two clauses. While the producers had full artistic freedom to create the film, nothing should be altered that contradicts historical facts that are publicly available,” Kapoor explained. “The contract also stated that the author’s name and book could not be used for promoting or exploiting the film without prior written consent. I was in Goa and had not seen the film at the time, believing that they would honour the contract. But they are still claiming that the film is based on the book,” she said, adding that she has already sent two legal notices, but received no response.

To buttress her point, Kapoor cited her August, 2023 WhatsApp exchange with Kangana Ranaut’s brother, Aksht Ranaut of Manikarnika Films, in which she repeatedly emphasised that the contract must be followed and that the phrase “based on her book” should not be used, though referencing the book in the sources section is acceptable. “Aksht replied and had agreed to these terms during the conversation,” she said. The film Emergency, on Netflix includes a disclaimer, stating that it is “inspired by the books, The Emergency by Coomi Kapoor and Priyadarshani by Jaiyanth Vasant Shinde.” However, toward the end, the disclaimer shifts tone, stating that the film is “based on the books, The Emergency by Coomi Kapoor and Priyadarshani by Jaiyanth Vasant Shinde”, which Kapoor argues directly contradicts the terms of their agreement.

The author further pointed out that at the time of signing the agreement, she was told that only a specific chapter on former Prime Minister Indira Gandhi from her book would be referenced for the film. However, she was surprised to find that the film’s title closely mirrored that of her book. “This now appears to be a deliberate attempt on part of you to get traction for the said film, especially since it had been subject to uncomplimentary remarks,” states a legal notice sent by Kapoor to the filmmakers. The author pointed out that the film contains numerous historical inaccuracies — far more than those detailed in the legal notice. Among those is a scene that shows Gandhi personally threatening the then President Fakhruddin Ali Ahmed into declaring the Emergency without consulting her Cabinet as well as a depiction suggesting that the Emergency ended when she announced the general election.

“Factually, the Emergency was not removed till after Mrs Indira Gandhi lost the general election in March 1977,” the legal notice said. On June 25, 1975, Gandhi declared a state of Emergency in the country, suspending civil liberties, jailing opposition leaders and dissidents and effecting press censorship. The Emergency was lifted on March 21, 1977. Other distortions highlighted in the legal notice include the incorrect association of Jayaprakash Narayan’s 1974 Total Revolution Movement with Gandhi’s 1972 Shimla Agreement as well as inaccurate portrayals of the arrest and imprisonment of political leaders during the Emergency.

PTI attempted to contact Kangana Ranaut’s sister and manager, Rangoli Chandel, for a comment, but she was unavailable. Aksht Ranaut though, according to Kapoor, did reach out to her over the phone after the media reported the issue. “Yes, he (Aksht) called. I told him ‘you were never available all this while.’ He asked me, ‘What would you like?’. I told him I will talk to my lawyer,” Kapoor said.

However, according to the notice, Kapoor has demanded immediate compensation for the severe reputational, professional, emotional and financial damage suffered by her due to the filmmakers’ reckless and illegal conduct. “If you fail to comply, our client reserves the right to initiate legal proceedings to seek appropriate remedies for this egregious violation of her rights,” the notice said.

Emergency, which was also directed and produced by Kangana Ranaut, had earlier courted controversy over its censor certificate and allegations that it misrepresented the Sikh community. It was not screened at cinema halls in Punjab after protests by the Shiromani Gurdwara Parbandhak Committee (SGPC) and other Sikh organisations.

Except for the headline, this story has not been edited by DNA staff and is published from PTI

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Alia Bhatt’s half-brother Rahul Bhatt says he respects Ranbir Kapoor as he is a ‘great father’ to daughter Raha: ‘Who Animal, who Kapoor, I don’t care’ | – The Times of India

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Alia Bhatt’s half-brother, Rahul Bhatt, recently talked about his relationship with her husband, actor Ranbir Kapoor. In a straightforward conversation with Hindi Rush, Rahul avoided discussing Ranbir’s acting career and instead highlighted his qualities as a father.
A Father’s Qualities Matter Most
Rahul Bhatt praised Ranbir Kapoor for being a great father, emphasizing that it’s the most important quality a man can have. When asked about Ranbir’s acting career, Rahul admitted he didn’t really understand or care about it, stating that labels like actor or Kapoor didn’t matter to him. He expressed that what truly mattered was Ranbir’s love for his daughter and respect for his step-sister, with everything else being secondary.A Childhood Bond
Rahul Bhatt shared a memory from the preparation for Animal, where Ranbir Kapoor sought his advice before heading to Abu Dhabi for weapons training. He mentioned that Ranbir was sincere and curious. Rahul also pointed out that their bond goes way back to childhood, as they both attended different schools in Mumbai—Ranbir at Bombay Scottish and Rahul at Arya Mandir.

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Do you think Ranbir Kapoor’s acting career is overshadowed by his role as a father?

Alia Bhatt and Pooja Bhatt
In the same interview, Rahul expressed that in terms of stardom, Alia is comparatively less prominent than their sister Pooja Bhatt. He acknowledged Pooja’s significant role in advancing their father Mahesh Bhatt‘s legacy in the film industry. Rahul emphasized that Pooja’s contributions have been instrumental in carrying forward the family’s cinematic heritage.
Ranbir Kapoor’s Upcoming Projects
Ranbir Kapoor has an exciting lineup of projects ahead. He is set to star in the Ramayana trilogy, Animal Park (the sequel to Animal), Dhoom 4, and Brahmastra: Part Two – Dev. He is also rumored to be collaborating with director Rajkumar Hirani on another film, although the official release dates for these projects are yet to be announced.





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‘The Royals’ trailer: Ishaan Khatter, Bhumi Pednekar explore romance, royality and change

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Ishaan Khatter, Bhumi Pednekar in ‘The Royals’

Netflix India on Tuesday (April 22) launched the trailer for The Royals, a self-described ‘royalty rom-com’ set to stream on the platform from May 9. Directed by Priyanka Ghose and Nupur Asthana, the series is headlined by Ishaan Khatter, Bhumi Pednekar and Bollywood veteran Zeenat Aman. The ballroom-filing ensemble includes Sakshi Tanwar, Nora Fatehi, Dino Morea, Milind Soman, Chunky Panday, Vihaan Samat, Kavya Trehan, Sumukhi Suresh, Udit Arora, Lisa Mishra and Luke Kenny. 

Written by Neha Veena Sharma, The Royals chronicles the fortuitous romance between an entitled royal scion, Aviraaj (Ishaan) and a self-made entrepreneur, Sophia (Bhumi). With his father, the maharaj of Morpur, passing on, Aviraaj has to graduate from polo and take on the royal reins. Enter Sophia: who wants to their the pristine Moti Mahal into a Royal B&B.

Against this foreground of blossoming love, the show tracks the comic, cacophonic dysfunctions of an Indian royal family, its profligate members stuck between tradition and change.

Speaking about the show, Bhumi Pednekar said: ““This show gave me a chance to play with my wardrobe, which I love so deeply. I’ve never chased playing an urban girl or playing a character that is away from what I usually do. I always go for scripts”. She called the series “sensitive” and “progressive” in core, adding that all types of audiences will feel represented watching it.

“It’s a fresh take on the romance between royal and a commoner. Most people thought this was a period piece when there were early talks about ‘The Royals’, but there is going to be a lot more,” Ishaan Khatter said.



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Act of art across dimensions- Gurmeet’s Kartab

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Me and My Golden Image, from Kartab, a solo show by artist Gurmeet Marwah
| Photo Credit: Special Arrangement

Every individual is engaged in activities to move forward in life; an ongoing stunt to achieve something. “That is Kartab for you,” says artist Gurmeet Marwah, who is presenting his first solo exhibition in the city. As Gurmeet puts it, the show delves into the many levels or angles of kartab, a Hindi word that means act, deed, or undertaking, as it plays out in everyday life.

Gurmeet’s artistic exploration is driven by this idea or concept of human nature, where there is more to every act than what is visible on the surface.

“Everyone is involved in kartab, hoping to gain something. Then we strive to balance and maintain it. We are constantly in that loop,” he says.

Gurmeet says his artworks are an exploration of this concept, and is in keeping with his belief that an idea should not be confined to a single dimension, whilst also upholding minimalism.

Hazaaron Khawaishein Aisi, from Kartab, a solo show by artist Gurmeet Marwah.
| Photo Credit:
Special Arrangement

“When I think of an idea, I want to explore its possibilities. I don’t understand the point of limiting it. Painting is the simplest form of expression, but I enjoy going beyond it,” says Gurmeet, explaining how he always visualises a concept from different angles and perspectives.

Animals feature regularly in Gurmeet’s works — goats, donkeys, monkeys, owls and frogs — both in paintings and woodcuts. “Local slang in conversations inspired me to use animals as my subjects. For instance, words such as gadha (donkey) and bakhra (goat) are often part of casual conversations, so I began using them in my work. It is not symbolic; it is just the language I speak and have grown up with,” says the Delhi-based artist.

Talking about how some of his recent works portray humanoid figures, Gurmeet says it is symbolic of a subject he wants to present, and the depiction happened incidentally. “This is the first time I have used a human figure in my art. It was not conscious, but some concepts needed such a protagonist, so it was brought in.”

What distinguishes Gurmeet’s work is the simplicity, and his knack of presenting ideas important to him without complexities. In this exhibition, Gurmeet has presented artworks built on everyday experiences, his middle-class upbringing, hierarchies, and societal structures.

Tiger In The City, from Kartab, a solo show by artist Gurmeet Marwah.
| Photo Credit:
Special Arrangement

“I come from a middle-class family, and live a regular life in a metro. Many things influence our lives, and they can be personal, societal, or political. Everyone has a perspective or opinion on different topics and they choose to express them in their own way.I do it in the language I know, which is visual art. If I were a poet, I would have written poems.”

Describing the choice of titles for his works, he says it is a way to connect with the audience. “It is a way of directing the viewer toward what I’m trying to say without overloading them with information.”

His artworks often feature subtle, almost monochromatic backgrounds, bringing focus to a central object or figure that carries the message.

“I feel an artist’s job is to simplify things. Art is not meant to confuse the viewer. I want the viewer to look straight at the subject and understand my idea.”

Kartab by Gurmeet Marwah is on display at Artisera in Indiranagar, till May 4



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