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From millets to masterpieces: Visakhapatnam artist Moka Vijay Kumar bags international recognition

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From millets to masterpieces: Visakhapatnam artist Moka Vijay Kumar bags international recognition


Artist Moka Vijay Kumar working on millet art works in Visakhapatnam.
| Photo Credit: SPECIAL ARRANGEMENT

Visakhapatnam-based artist Moka Vijay Kumar, who makes art works with millets, has gained international recognition by securing a place in the America Book of Records as the first artist in the realm of millets. His achievement was recognized on March 25, reinforcing his status as a pioneer in an art form that combines creativity with nutritional awareness of millets. He had recently done a series on US President Donald Trump, capturing some of the milestone moments of his life.

An employee of the Indian Railways, Vijay Kumar has been painting with millets for years, transforming tiny grains into intricate works of art that depict mythological tales, famous personalities, human emotions, and the beauty of Nature. His paintings, created entirely from different types of millets, serve as a powerful medium to promote the significance of these nutrient-rich grains in diets.

Vijay Kumar’s journey as an artist has always been intertwined with innovation. Initially trained in conventional art, he discovered the potential of millets as a medium that not only adds texture and uniqueness to his creations but also spreads a crucial message about sustainable food choices.

“Millets have been an integral part of Indian diets for centuries but gradually lost prominence with the rise of refined grains. I wanted to use them not just as a medium for his art but also a means to reignite awareness about their health benefits,” he says. Vijay Kumar hopes that the recent recognition from the US will bring the global spotlight on millets and India which is the world’s largest producer of millets. Through his works, he aims to remind people of the nutritional and ecological advantages of millets, which are drought-resistant and require minimal resources to grow.

Over the years, Vijay Kumar has produced hundreds of paintings using millets, featuring deities from Hindu mythology, celebrated figures from Indian history. His works are a testimony to his artistic finesse and his dedication to spreading awareness about healthy eating habits.

Each painting requires meticulous effort and takes days to complete, as the grains are carefully selected, sorted, and placed to achieve the desired hues and textures. The artist mainly uses ragulu (finger millet), arikalu (kodo millet), sajjalu (pearl millet), and samalu (little millet) in his works. His artwork has been showcased at various exhibitions.

He is currently working on a series on Jesus Christ. “It is a work in millets that will depict the 14 Stations of the Cross. I will be releasing it on Good Friday,” says the artist.

Last year, Vijay Kumar bagged the title in India Book of Records 2024 as an IBR Achiever (for exceptional and noteworthy feats) for making 50 paintings of famous personalities including Prime Minister Narendra Modi and the late APJ Abdul Kalam using millets. He has won many awards in the past for his millet works.



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Phule Review: Pratik Gandhi-Patralekhaa film will leave a lasting impact on you

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Phule Review: Pratik Gandhi-Patralekhaa film will leave a lasting impact on you




Phule is a biographical film about the incredible Indian activists Jyotirao Phule and Savitribai Phule, directed by Anant Mahadevan. Pratik Gandhi, who takes on the role of Jyotirao Phule, absolutely nails it



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When Vinod Khanna lost control while doing an intimate scene with Madhuri Dixit; Feroz Khan paid Rs 1 crore to retain the scene in the film after much controversy – The Times of India

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When Vinod Khanna lost control while doing an intimate scene with Madhuri Dixit; Feroz Khan paid Rs 1 crore to retain the scene in the film after much controversy – The Times of India


Vinod Khanna and Madhuri Dixit starrer ‘Dayavan’ was the talk of the town when the film released due to the intimate scene between the lead actors. Of course, the song ‘Aaj Phir Tumpe Pyaar Aaya Hai‘ also became hugely famous and is remembered till date. The song was also remixed for ‘Hate Story 2’. But according to reports during that time, Khanna had lost his control during this intimate scene and continued kissing Madhuri even after ‘cut’. Reports also suggested that he even ended up biting Madhuri who was just 20year old that time and left her uncomfortable.
According to an article by Bollywood Shadis.com, the shoot of ‘Dayavan’ took place in 1988 and that time, Madhuri was still very new, trying to make a place for herself in the industry. On the other hand, Khanna was a superstar. Several reports at that time suggested that Khanna kept kissing Madhuri for five minutes and bit her lips. The actress was left bleeding and couldn’t stop crying after the shot. Khanna later apologised to her.
Feroz Khan who was the director of the film was sent a legal notice to remove the scene after it stirred a huge controversy during the release. Madhuri also requested him to remove the scene. However, the actor, director paid Rs 1 crore to retain the scene in the film.
It was being reported that Khanna had lost his control, even during a scene with Dimple Kapadia in another film. In an old interview, Khanna had admitted that he’s no saint when it comes to women. He had said once, “Well, I was a bachelor, and I am no saint as far as women are concerned. I need sex as much as anybody else does. Without women we won’t be here, without sex we won’t be here, so why should anybody object to my being with women.”
Later, when Khanna was at the peak of his career, he took a break from movies and went on the spiritual path as he followed Osho Rajneesh.





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‘Jewel Thief – The Heist Begins’ movie review: Saif Ali Khan struggles in a generic, juvenile thriller

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‘Jewel Thief – The Heist Begins’ movie review: Saif Ali Khan struggles in a generic, juvenile thriller


Saif Ali Khan in ‘Jewel Thief’
| Photo Credit: MANAS GODARA

With the OTT platforms investing more energy and intensity into the long form, feature films are languishing like one-day cricket. Rehan (Saif Ali Khan), a rakish thief, is hired by Rajan Aulakh (Jaideep Ahlawat), a criminal in the garb of an art collector, to steal Red Sun, the African equivalent of Kohinoor. The title ‘Jewel Thief’ unnecessarily draws comparisons with Goldie’s iconic crime caper. The makers even drop the name of Vijay Anand in one sequence, but could mine precious little out of flattery.

Saif and Jaideep have cut down on flab and look fab in crisp suits. It is hard to decipher who has a better drawl or could chew the scenery and the vowels better. While the boys jostle to steal the scene, an elegant Nikita Dutta sparkles in a glam avatar. However, the visual aspect fails to liven up the flat writing and insipid music.

There is a lot of posturing and preening, but the characterisation is skin-deep. The earnestness of the actors can’t help when the twists are unimaginative, and the dialogue writer (Sumit Arora) resorts to profane words to generate impact.

Jewel Thief: The Heist Begins (Hindi)

Director: Kookie Gulati and Robbie Grewal

Runtime: 116 minutes

Cast: Saif Ali Khan, Jaideep Ahlawat, Nikita Dutta, Kunal Kapoor, Kulbhushan Kharbanda

Storyline: When a con artist plans his biggest heist, it spirals into a game of betrayal and deceit.

When it comes to the nuts and bolts of the heist, Kookie and Robbie rob us of surprise. In times of Money Heist, it works like a cookie-cutter con of the 1970s, where infrared rays guard a diamond, and a password is waiting to be cracked. Of course, there is a blackmail story to whitewash the criminal intent of the flawed hero. The predictable recipe can’t do without the cop who remains one step behind the con artist. Here, he seems like a mile behind, and deliberately so. Kunal Kapoor returns after a gap only to add gas to the hollow cat-and-mouse game.

In such corny cinema, the art lies in covering up the frivolity of the exercise behind a sleek facade. But here, the stealth is missing. It feels like a generic project assembled by watching a few films to generate curiosity and populate the library of the OTT platform.

Jewel Thief – The Heist Begins is currently streaming on Netflix



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