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At the Lakmé Fashion Week 2025 x FDCI, artisans take the runway

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At the Lakmé Fashion Week 2025 x FDCI, artisans take the runway


Designers Zaid Khatri, Amruta Vankar, Mubbasirah Khatri, Muskan Khatri, and Shakil Ahmed during the Design Craft Presents Artisan Designers of Somaiya Kala Vidya show in the 25th year of Lakmé Fashion Week 2025 at Jio World Convention Centre in Mumbai
| Photo Credit: Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

Indian fashion is entering an era of quiet reckoning — one where the silent hands behind couture’s most intricate weaves and prints are finally stepping into the light. For decades, artisans remained the invisible scaffolding of Indian fashion’s most-celebrated narratives. Now, the script is shifting. At Lakmé Fashion Week x FDCI’s March 2025 edition, this shift felt not only palpable but overdue too. In a special show, titled Design Craft Presents Artisan Designers of Somaiya Kala Vidya, master craftspeople emerged not as footnotes but as the headline.

Established in 2014, Somaiya Kala Vidya (SKV), situated in Anjar, Kutch, is a pioneering institution that flips the script on how we view artisans and design. Founded on the belief that the custodians of India’s textile legacy deserve more than just seasonal patronage, SKV empowers traditional artisans with the tools of modern design, branding, and entrepreneurship — without asking them to abandon their roots.

Unlike urban design schools that often view craft through an outsider’s lens, SKV is embedded within the artisan community. It offers structured, culturally sensitive education to master artisans — many of whom have inherited centuries-old techniques of weaving, dyeing, or embroidery. The curriculum, taught in the local language and tailored around the artisans’ calendars, balances aesthetics with market relevance.

A model takes the runway during the Zaid Khatri show
| Photo Credit:
Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

The runway bore witness to a powerful confluence of tradition, technique and self-expression anchored by five artisan-led labels: Ajrakh Gharana by Zaid Khatri, Alaicha by Amruta Vankar, Elysian by Mubbasirah Khatri, Musk by Muskan Khatri, and Neel Batik by Shakil Ahmed. Each collection offered a distinct voice, rooted in heritage yet unafraid to play with silhouette, colour, and context.

With ajrakh as the centre of attraction, Zaid Khatri’s Eternal Ajrakh collection for his label Ajrakh Gharana was a journey from the past to the present and then into the future. It was a poetic reflection on time, layering ajrakh’s storied geometry with sleek, contemporary tailoring. His work asked a poignant question: Can tradition stretch into the future without losing its soul? Judging by his restrained yet evocative presentation — indigo jackets layered over fluid separates — the answer felt like a resounding yes.

Amruta Vankar’s Alaicha drew from her mashru weaving legacy, translating the tactile language of handloom into quiet luxury. Her palette was earthy, her cuts clean — each look paid an ode to rhythm and repetition, the two things every weaver knows intimately.

Amruta Vankar presents ‘Alaicha’ 
| Photo Credit:
Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

Mubbasirah Khatri (the only female ajrakh artisan and artisan designer in Kutch) designed the Anatomy collection for the label Elysian. Mubbasirah turned to ajrakh presenting a softer, dreamier take on the resist-dye technique. There was romance in her folds — fluid dresses in pastel tones, dotted with the signature clusters of tie-dye that whispered of patience and precision.

Muskan Khatri’s Mystery for the label Musk (spotlighting the tie and dye of the bandhani craft) brought youthful bravado to the runway, with cropped jackets, flared trousers, and a clever clash of patterns. Hers was a voice of defiance — proof that tradition does not have to mean restraint. It can flirt, rebel, and still hold on to its roots.

‘Elysian’ by Mubbasirah Khatri 
| Photo Credit:
Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

The beauty of the traditional batik craft was unveiled by Shakil Ahmed’s label Neel Batik for the collection Tradition to Modern. It was a striking interplay of bold hues and thoughtful silhouettes. Shades of vibrant red punctuated the timeless palette of black and white, moving together in fluid harmony across pieces titled Saadla and Bepota.

Saris anchored the Indian line-up with quiet strength, while the Western silhouettes carried a refined Indo-fusion sensibility. Textural play added depth to the collection, with abstract patterns drawn from Shakil’s own Instagram photographs — transforming digital inspiration into wearable art.

What united these five voices was not just their connection to Kutch or their training at Somaiya Kala Vidya (SKV), but their refusal to be boxed into categories of craft or costume. These were not artisans-turned-designers. They were designers — full stop — claiming space on their own terms.

Shakil Ahmed’s ‘Neel Batik’ 
| Photo Credit:
Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

At a time when fashion is eager to greenwash its image with buzzwords like ‘handmade’ and ‘sustainable,’ this showcase offered something rarer: authenticity without appropriation. It re-centred the narrative around the people who have always kept Indian fashion’s legacy alive — not in glossy lookbooks, but in dusty workshops, under the sun, dye-stained and dye-driven.

Muskan Khatri’s ‘Musk’
| Photo Credit:
Perfect Shadows / FDCI x Lakmé Fashion Week / RISE Worldwide

By giving these voices a runway, Lakmé Fashion Week was not just curating a show — it was correcting a long-standing omission. And as the applause rang out, it was clear: the future of Indian fashion is not about discovering the next trend. It is about returning to the roots, and finally, listening to the hands that have always known the way.



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‘Veera Dheera Sooran 2’ OTT release: Chiyaan Vikram starrer takes the digital platform by storm with power-packed performances and rave reviews | Tamil Movie News – The Times of India

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Chiyaan Vikram’s ‘Veera Dheera Sooran: Part 2’ made a strong impact right from its theatrical release on March 27, garnering positive reviews despite a few initial hiccups. The film, with its gripping narrative and intense performances, drew steady footfalls at the box office throughout its run. Now, after a successful theatrical journey, the action-packed saga has officially premiered on Prime Video today (April 24). As soon as it hit the digital platform, social media lit up with fresh waves of praise from viewers and fans alike, many calling it a compelling watch.
Authentic setting and strong performances praised
Viewers who caught the film on OTT praised its raw setting and taut narrative that held their attention till the end. Some noted similarities to classic gangster dramas but felt that the unique treatment and storytelling style made it stand out. Performances across the cast received solid appreciation, especially Vikram’s, who many felt was in top form. Comments like “Vikram Peaked ” and “Acting masterclass from Vikram and SJS!” filled timelines, showcasing just how much the audience connected with the leads and their portrayals.
A gritty rural thriller that delivers
Many described ‘Veera Dheera Sooran’ as a gritty rural action thriller that doesn’t waste time before plunging into high-octane drama. Fans felt this was truly a “Chiyaan Vikram film” in every sense — intense, stylish, and emotionally grounded. SU Arun Kumar’s direction and vision were applauded for their precision, and GV Prakash’s music alongside Theni Eswar’s cinematography added significant weight. One fan wrote, “Vetrimaaran-esque level taking, peak drama building. Super watch ” while another posted, “Dei, high beam ah podra ”, celebrating the film’s energy and visual style.
Kaali’s journey from peace to chaos
Set in Madurai, the story revolves around Kaali, a former gangster turned humble store owner trying to lead a peaceful life, only to be dragged back into the underworld due to rising conflicts. The narrative unfolds over a single, intense night and is packed with emotional twists, fierce confrontations, and memorable moments. Along with Vikram, the film features powerhouse performances by SJ Suryah, Dushara Vijayan, and Suraj Venjaramoodu. Backed by HR Pictures, with an engaging score from GV Prakash and visuals by Theni Eswar, Veera Dheera Sooran: Part 2 is currently trending for all the right reasons.





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Akshay Kumar’s Kesari Chapter 2 mints over Rs 9 crore in North America – The Times of India

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Akshay Kumar’s Kesari Chapter 2 is performing well at the North American box office, grossing over $1 million in its first five days, with Canada being a particularly strong market. While domestic earnings have been steady, the film’s international performance, especially in Sikh-dominated regions, is promising. Industry trackers anticipate further growth, potentially reaching $1.

Akshay Kumar’s much-anticipated historical Kesari Chapter 2 is making its presence felt at the North American box office. According to the latest figures, the film has grossed an impressive $172,341 on its fifth day from 298 locations, taking its total reported gross in North America to $1,077,447 ( Rs 9.22 crore ) .The film also featured R Madhavan and Ananya Panday in leading roles.

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In the United States alone, the film has collected $479,885 so far. Meanwhile, the film’s performance in Canada has been particularly noteworthy, with Kesari Chapter 2 earning CAD $597,562 by the end of Day 5. The strong showing in Canada reflects Akshay Kumar’s significant fan base in the region, where his patriotic dramas and action entertainers have traditionally performed well.
The film, which is a spiritual sequel to the 2019 hit Kesari, continues the saga of Indians taking on foreign powers. Directed by Karan Singh Tyagi- the film is based on Raghu Palat and Pushpa Palat’s book The Case That Shook The Empire. The book talks about the case that was fought by Sir C Sankaran Nair and the British Crown after the Jallianwala Bagh Massacre that took place in Amritsar.
Back home in India, Kesari Chapter 2 has registered a total of Rs 42 crore at the domestic box office within its first six days of release. While the film opened with strong collections, weekday drops have been steady but controlled, keeping it in the race for a respectable lifetime total.
Trade note that while the film hasn’t matched the blockbuster pace of Kumar’s previous patriotic hits like Kesari or Airlift, it has found a loyal audience in international territories. North America, in particular, has shown consistent footfalls, especially in Canada’s Sikh-dominated regions.
With the weekend approaching and with just one big film Ground Zero starring Emraan Hashmi releasing, industry trackers are hopeful that Kesari Chapter 2 will add a solid chunk to its total in both domestic and overseas markets. If the current trend continues, the film could comfortably cross the $1.5 million mark in North America by the end of its second weekend, securing a spot among the year’s better-performing Bollywood titles overseas.





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India a country just as powerful as the world of ‘One Piece’: Usopp voice actor Kappei Yamaguchi | – The Times of India

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The bond between Japan and India is a precious one and people from both sides should cherish it, says Japanese actor Kappei Yamaguchi, known for his voice starring role in the globally popular anime series “One Piece“. Yamaguchi, who voices the fictional character Usopp in the franchise created by Eiichiro Oda, said India is a country just as powerful as the world of the long-running Japanese show.
“‘One Piece’ can really make everyone smile, and I think that’s the case in India and, of course, in America and even in Europe. I’ve been able to experience this for myself by going to various places. It’s a really precious bond (between Japan and India) that we should continue to cherish…
“I thought India was a very powerful country, an exciting country, and I myself have grown to love this country, but the fact that the people of this country are supporting ‘One Piece’ makes me think that it is a country that is just as powerful as the world of ‘One Piece’,” Yamaguchi told PTI in an interview.
The actor was recently in India along with his “One Piece” co-star Hiraoki Hirata for the Mumbai Comic Con 2025.
The series, which has been on air since 1999, follows the adventures of Monkey D Luffy, a boy whose body gained the properties of rubber after unintentionally eating a Devil Fruit. With his crew, named the Straw Hat Pirates, Luffy explores the Grand Line in search of the world’s ultimate treasure known as the “One Piece” in order to become the next King of the Pirates.
Hirata, who voices Sanji in the show, said he is happy to see “One Piece” being recognised in India.
“I’d heard that it was really popular all over the world, but I only experienced it for real when I went to America and saw how enthusiastic the fans there were. So, as Kappie said, when people from countries like India get excited, the power they show is incredible…” he added.
While Yamaguchi and Hirata have been voicing the characters of Usopp and Sanji for 25 years now, both the actors originally auditioned to essay Luffy and Roronoa Zoro.
Mayumi Tanaka and Kazuya Nakai eventually voiced the roles of Luffy and Zoro, respectively.
Yamaguchi said he had never before played a role like Usopp, a member of the Straw Hat Pirates who serves as their sniper.
“I was really worried at first. But now it has been 25 years of me working with the character, I am able to do it now. I think the character of Usopp has already become familiar to me, to the point where I wonder what my initial concerns were…
“The character has changed a lot (over the years), as I’ve been able to put more and more of my own feelings and various aspects of myself into it. I think he’s probably the character I have the most freedom with now,” he added.
Voice starring in “One Piece” has had “a huge impact” on Yamaguchi, he said.
“The fact that I can feel happy about being able to work on this series is the greatest thing of all. We have been given a wonderful gift in the form of the ‘One Piece’ series, which brings a smile to people’s faces and allows them to talk to each other.”
Hirata said Yamaguchi was already a famous voice actor, but he was unknown before joining the cast of “One Piece”.
“So, when I got the role of Sanji in ‘One Piece’, my life completely changed. When I was chosen as Sanji, ‘One Piece’ fans didn’t know who I was at all,” he added.





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