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Amitabh Bachchan’s biggest hit film was released 48 years ago, earned more money than Prabhas’ Baahubali 2, made for just Rs 1 crore, it earned Rs…, its name is..

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Amitabh Bachchan’s biggest hit film was released 48 years ago, earned more money than Prabhas’ Baahubali 2, made for just Rs 1 crore, it earned Rs…, its name is..



Amar Akbar Anthony, reportedly made on a budget of Rs 1 crore, earned Rs 15.5 crores at the box office, emerging as the highest-grossing Bollywood film for 1977. If its collection is seen according to today’s time, then it is more than the collection of Prabhas’ Baahubali 2: The Conclusion.

Megastar Amitabh Bachchan has been a part of the film industry for 55 years. Big B, as he is fondly known, started his career in 1969, and since then, he has been an integral part of how Indian cinema has shaped up. Amitabh Bachchan is 82 years old now, but to this day, he is known for his immense hard work and unique style. Today, we will tell you about one of Amitabh Bachchan’s most iconic films, which was such a blockbuster that it even beat Baahubali 2 48 years ago. We are talking about the film Amar Akbar Anthony, directed and produced by Manmohan Desai and written by Kader Khan, which was released in 1977. 

Amar Akbar Anthony starred Vinod Khanna, Rishi Kapoor, Amitabh Bachchan, Neetu Singh, Parveen Babi, Shabana Azmi, Nirupa Roy, Pran, and Jeevan, and narrates the story of three brothers who are separated in childhood and are then adopted by families of different faiths: Hinduism, Islam, and Christianity.

Amar Akbar Anthony, reportedly made on a budget of Rs 1 crore, earned Rs 15.5 crores at the box office, emerging as the highest-grossing Bollywood film for 1977. If its collection is seen according to today’s time, then it is more than the collection of Prabhas’ Baahubali 2: The Conclusion. 48 years ago, this film broke the record of many films today. Along with the story of the film, the songs were also very hit. 

To this date, Amar Akbar Anthony is regarded as one of the most iconic films of Indian cinema and has an impressive 7.4 out of 10 rating on IMDb.

Amar Akbar Anthony was such a hit that it was remade in Tamil as Shankar Salim Simon (1978), in Telugu as Ram Robert Rahim (1980), and Malayalam as John Jaffer Janardhanan (1982). In Pakistan, the film was unofficially remade in Punjabi as Akbar Amar Anthony (1978).

READ | India’s most expensive film was made in 1997, much bigger than Pushpa 2, Kalki 2898 AD, RRR, was rejected by Amitabh Bachchan, Rajinikanth, never got released due to..



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Alia Bhatt’s half-brother Rahul Bhatt says he respects Ranbir Kapoor as he is a ‘great father’ to daughter Raha: ‘Who Animal, who Kapoor, I don’t care’ | – The Times of India

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Alia Bhatt’s half-brother Rahul Bhatt says he respects Ranbir Kapoor as he is a ‘great father’ to daughter Raha: ‘Who Animal, who Kapoor, I don’t care’ | – The Times of India


Alia Bhatt’s half-brother, Rahul Bhatt, recently talked about his relationship with her husband, actor Ranbir Kapoor. In a straightforward conversation with Hindi Rush, Rahul avoided discussing Ranbir’s acting career and instead highlighted his qualities as a father.
A Father’s Qualities Matter Most
Rahul Bhatt praised Ranbir Kapoor for being a great father, emphasizing that it’s the most important quality a man can have. When asked about Ranbir’s acting career, Rahul admitted he didn’t really understand or care about it, stating that labels like actor or Kapoor didn’t matter to him. He expressed that what truly mattered was Ranbir’s love for his daughter and respect for his step-sister, with everything else being secondary.A Childhood Bond
Rahul Bhatt shared a memory from the preparation for Animal, where Ranbir Kapoor sought his advice before heading to Abu Dhabi for weapons training. He mentioned that Ranbir was sincere and curious. Rahul also pointed out that their bond goes way back to childhood, as they both attended different schools in Mumbai—Ranbir at Bombay Scottish and Rahul at Arya Mandir.

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Alia Bhatt and Pooja Bhatt
In the same interview, Rahul expressed that in terms of stardom, Alia is comparatively less prominent than their sister Pooja Bhatt. He acknowledged Pooja’s significant role in advancing their father Mahesh Bhatt‘s legacy in the film industry. Rahul emphasized that Pooja’s contributions have been instrumental in carrying forward the family’s cinematic heritage.
Ranbir Kapoor’s Upcoming Projects
Ranbir Kapoor has an exciting lineup of projects ahead. He is set to star in the Ramayana trilogy, Animal Park (the sequel to Animal), Dhoom 4, and Brahmastra: Part Two – Dev. He is also rumored to be collaborating with director Rajkumar Hirani on another film, although the official release dates for these projects are yet to be announced.





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‘The Royals’ trailer: Ishaan Khatter, Bhumi Pednekar explore romance, royality and change

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‘The Royals’ trailer: Ishaan Khatter, Bhumi Pednekar explore romance, royality and change


Ishaan Khatter, Bhumi Pednekar in ‘The Royals’

Netflix India on Tuesday (April 22) launched the trailer for The Royals, a self-described ‘royalty rom-com’ set to stream on the platform from May 9. Directed by Priyanka Ghose and Nupur Asthana, the series is headlined by Ishaan Khatter, Bhumi Pednekar and Bollywood veteran Zeenat Aman. The ballroom-filing ensemble includes Sakshi Tanwar, Nora Fatehi, Dino Morea, Milind Soman, Chunky Panday, Vihaan Samat, Kavya Trehan, Sumukhi Suresh, Udit Arora, Lisa Mishra and Luke Kenny. 

Written by Neha Veena Sharma, The Royals chronicles the fortuitous romance between an entitled royal scion, Aviraaj (Ishaan) and a self-made entrepreneur, Sophia (Bhumi). With his father, the maharaj of Morpur, passing on, Aviraaj has to graduate from polo and take on the royal reins. Enter Sophia: who wants to their the pristine Moti Mahal into a Royal B&B.

Against this foreground of blossoming love, the show tracks the comic, cacophonic dysfunctions of an Indian royal family, its profligate members stuck between tradition and change.

Speaking about the show, Bhumi Pednekar said: ““This show gave me a chance to play with my wardrobe, which I love so deeply. I’ve never chased playing an urban girl or playing a character that is away from what I usually do. I always go for scripts”. She called the series “sensitive” and “progressive” in core, adding that all types of audiences will feel represented watching it.

“It’s a fresh take on the romance between royal and a commoner. Most people thought this was a period piece when there were early talks about ‘The Royals’, but there is going to be a lot more,” Ishaan Khatter said.



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Act of art across dimensions- Gurmeet’s Kartab

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Act of art across dimensions- Gurmeet’s Kartab


Me and My Golden Image, from Kartab, a solo show by artist Gurmeet Marwah
| Photo Credit: Special Arrangement

Every individual is engaged in activities to move forward in life; an ongoing stunt to achieve something. “That is Kartab for you,” says artist Gurmeet Marwah, who is presenting his first solo exhibition in the city. As Gurmeet puts it, the show delves into the many levels or angles of kartab, a Hindi word that means act, deed, or undertaking, as it plays out in everyday life.

Gurmeet’s artistic exploration is driven by this idea or concept of human nature, where there is more to every act than what is visible on the surface.

“Everyone is involved in kartab, hoping to gain something. Then we strive to balance and maintain it. We are constantly in that loop,” he says.

Gurmeet says his artworks are an exploration of this concept, and is in keeping with his belief that an idea should not be confined to a single dimension, whilst also upholding minimalism.

Hazaaron Khawaishein Aisi, from Kartab, a solo show by artist Gurmeet Marwah.

Hazaaron Khawaishein Aisi, from Kartab, a solo show by artist Gurmeet Marwah.
| Photo Credit:
Special Arrangement

“When I think of an idea, I want to explore its possibilities. I don’t understand the point of limiting it. Painting is the simplest form of expression, but I enjoy going beyond it,” says Gurmeet, explaining how he always visualises a concept from different angles and perspectives.

Animals feature regularly in Gurmeet’s works — goats, donkeys, monkeys, owls and frogs — both in paintings and woodcuts. “Local slang in conversations inspired me to use animals as my subjects. For instance, words such as gadha (donkey) and bakhra (goat) are often part of casual conversations, so I began using them in my work. It is not symbolic; it is just the language I speak and have grown up with,” says the Delhi-based artist.

Talking about how some of his recent works portray humanoid figures, Gurmeet says it is symbolic of a subject he wants to present, and the depiction happened incidentally. “This is the first time I have used a human figure in my art. It was not conscious, but some concepts needed such a protagonist, so it was brought in.”

What distinguishes Gurmeet’s work is the simplicity, and his knack of presenting ideas important to him without complexities. In this exhibition, Gurmeet has presented artworks built on everyday experiences, his middle-class upbringing, hierarchies, and societal structures.

Tiger In The City, from Kartab, a solo show by artist Gurmeet Marwah.

Tiger In The City, from Kartab, a solo show by artist Gurmeet Marwah.
| Photo Credit:
Special Arrangement

“I come from a middle-class family, and live a regular life in a metro. Many things influence our lives, and they can be personal, societal, or political. Everyone has a perspective or opinion on different topics and they choose to express them in their own way.I do it in the language I know, which is visual art. If I were a poet, I would have written poems.”

Describing the choice of titles for his works, he says it is a way to connect with the audience. “It is a way of directing the viewer toward what I’m trying to say without overloading them with information.”

His artworks often feature subtle, almost monochromatic backgrounds, bringing focus to a central object or figure that carries the message.

“I feel an artist’s job is to simplify things. Art is not meant to confuse the viewer. I want the viewer to look straight at the subject and understand my idea.”

Kartab by Gurmeet Marwah is on display at Artisera in Indiranagar, till May 4



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