Designer-turned-artist Jenjum Gadi presented his second solo exhibition at Bikaner House, Transcendent Memories, a profound exploration of heritage, materiality, and craftsmanship. Following the success of his debut show, Apase – From My Mother’s Garden, Gadi continued his artistic evolution, transforming traditional inspirations into sculptural expressions.
Transcendent Memories showcases Gadi’s mastery of repoussé and chasing techniques in brass, reinterpreting the intricate iconography of Pichhwai paintings in a contemporary sculptural language.
The artist revisited his signature motif, fruit cast in brass, originally introduced in his debut exhibition as evocative relics from his mother’s garden. In this latest series, these organic forms serve as refined surfaces for Pichhwai-inspired engravings, intertwining personal memory with artistic reverence. His meticulous process, akin to the meditative practice of embroidery, renders each raised form and engraved detail a poetic transfiguration of everyday objects into spiritual narratives.
Alongside Gadi’s works, the exhibition also features a curated selection of artefacts from Vayu – Design for Living. Together, these pieces formed a dialogue between past and present, personal and collective memory, and the ever-evolving language of artistic expression.
The exhibition attracted a distinguished crowd on its opening night, with prominent figures from the art world such as Founder, Curator of Art Bela, Art Consultant, Pallavi Khandelwal, Co-founder, Chairman of Neemrana Fort-Palace, Amarnath and Indian fashion designer and couturier, JJ Valaya.
Guests, including Senior Saurabh Kirpal, advocate, Delhi High Court and Founder, Vivek Sahni, Chairman of Kama Ayurveda, engaged with the artist in thought-provoking conversations while experiencing the varied interpretations of the traditional art. Other prominent names in attendance were Anita Bajaj, Nitasha Nanda, Anand Bhushan and Vrinda Gopinath.
Reflecting on the exhibition, the artist commented, “I wanted to explore how tradition can evolve without losing its essence. Brass, like fabric, carries stories, it can be moulded, textured, and inscribed with meaning. This series is my way of preserving memories, both personal and collective, through a material that holds permanence, much like the traditions that inspire me”
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