Connect with us

Lifestyle

Seafood recipes from the Coromandel coast

Published

on

Seafood recipes from the Coromandel coast


A Bhagath Singh’s mother, Kalavathi, would always eye the head of the biggest fish in Ennore’s Thazhankuppam market. “These fish would weigh up to five kilograms,” says the Puducherry-based independent researcher. Once she secured the head, she would go home and cook it whole in a fiery kulambu.

Bhagath’s memories of his late mother and her love for cooking seafood, forms the opening chapter of the recently-released bilingual book, Seasoned by the Sea (Neithal Kaimanam), published by Uyir Publications. The book, a compilation of recipes from across the Coromandel coast, has photos by independent photographer M Palanikumar. It is the result of a series of interviews and research by Bhagath and geographer R Niranjana between 2021 and 2023.

Once at home, the women were at ease, talking about their everyday lives and family as they chopped onions and sliced fish. 
| Photo Credit:
M Palanikumar

Bhagath and Niranjana have curated 43 recipes with a focus on Ennore and Pazhaverkadu (Pulicat), apart from Kasimedu, Besant Nagar, Pattinapakkam, and Puducherry. Bhagath, a native of Ennore, is a post-doctoral researcher with the French Institute of Pondicherry while Niranjana teaches Geography at Queen Mary University of London. Niranjana, a former journalist, was in Ennore in 2021 for a research project. During her many interactions with fisherwomen and fish sellers at the Thazhankuppam market, she realised how readily they shared recipes.

“At one point, I thought, why not put these together as a book,” she says.

The photos not only capture the vibrancy and variety of the food, but also the warmth of the women behind them.

The photos not only capture the vibrancy and variety of the food, but also the warmth of the women behind them.
| Photo Credit:
M Palanikumar

Along with Bhagath, she set out to convince these women to demonstrate their recipes. It is not easy to get a fisherwoman to indulge in a leisurely conversation when she is at work, let alone get her to take one to her kitchen from the market. “She is either busy or exhausted,” says Bhagath. Niranjana though, kept at it, despite their unpredictable schedules.

Once at home, the women were at ease, talking about their everyday lives and family as they chopped onions and sliced fish. It is these stories that form the backbone of the book. Interestingly, the chapters are named after the women who shared the recipes: Madhavi from Kattukuppam, Lakshmi and Saroja from Annai Sivagami Nagar, Uma from Odaimanagar… Palanikumar’s photos not only capture the vibrancy and variety of the food, but also the warmth of the women behind them.

Bhagath and Niranjana have curated 43 recipes with a focus on Ennore and Pazhaverkadu

Bhagath and Niranjana have curated 43 recipes with a focus on Ennore and Pazhaverkadu
| Photo Credit:
M Palanikumar

Through the recipes, the authors help readers get a glimpse into the culture and ecology of the Coromandel coast. Mekala, for instance, while she shares madavai recipes, talks about how her husband Desingu would catch fish using a small purse net in the river; Sangeetha shares stories about her life after she married a fisherman from Ennore, even as she shares her kavalan meen kulambu recipe; Saanthi and Sokkammal from Thoniravu village, resettled from Sriharikota, talk about working and living through the struggle of being displaced, as they prepare prawn urundai kulambu.

The book has been designed by Anthoni Guruz, who has also contributed line drawings.

The book has been designed by Anthoni Guruz, who has also contributed line drawings.
| Photo Credit:
Special arrangement

Bhagath says that they have focussed on sea food varieties that are prominent to each region. “We have over 10 crab recipes from Ennore and Pazhaverkadu alone,” says the 40-year-old, adding: “There is puttu, kulambu, biryani, and rasam.” The book documents several unique, region-specific dishes; these include prawn suttadhu, parai kudal kulambu, prawn kulambu with shell on, prawn vaada, conch pepper fry, and thirukkai pakoda.

The book documents several unique, region-specific dishes

The book documents several unique, region-specific dishes
| Photo Credit:
Special arrangement

Bhagath points out that they have also turned the spotlight on the politics surrounding the industrialisation of Ennore. “Ennore’s identity has been reduced to its pollution, and the resulting stigmatisation. We wanted to show how the people have adapted; their culture and politics too,” he says. Niranjana adds that their book is an attempt at showing that life in Ennore can also be “vibrant and joyful” despite the pollution and degradation over the years.  

The book illustrates how fisherfolk from the Coromandel coast, all the way up to Nagapattinam, use plenty of tamarind and chilli powder in their cooking

The book illustrates how fisherfolk from the Coromandel coast, all the way up to Nagapattinam, use plenty of tamarind and chilli powder in their cooking
| Photo Credit:
M Palanikumar

For a lot of people in the city, seafood is restricted to sankara (red snapper), vanjiram (seer), and vaaval (pomfret). “But there is so much variety that is not known. We wanted to introduce them,” says Bhagath adding that this will also help in ecological conservation.

The book illustrates how fisherfolk from the Coromandel coast, all the way up to Nagapattinam, use plenty of tamarind and chilli powder in their cooking. “These two are the main ingredients,” points out Bhagath. “Coconut is not used much, perhaps due to less availability,” he adds. “Raw mango is added to the kulambu to enhance the sourness of the tamarind, depending on the type of fish: mathi and nethili, for instance.”

A Bhagath Singh and R Niranjana with their book

A Bhagath Singh and R Niranjana with their book
| Photo Credit:
M Palanikumar

The response from the fisherwomen, evident during their two events in Ennore and Pazhaverkadu after the launch, was heart-warming. “When they saw the book, they felt happy that something they’ve been doing for a living is now being seen as art,” says Bhagath. “They felt that not many people respect their profession, let alone them. The book changed these perspectives.”

Seasoned by the Sea is available at neidhal.net



Source link

Continue Reading
Comments

Lifestyle

Dancer working on Riteish Deshmukh’s film ‘Raja Shivaji’ found dead; he was missing since two days | Hindi Movie News – The Times of India

Published

on

Dancer working on Riteish Deshmukh’s film ‘Raja Shivaji’ found dead; he was missing since two days | Hindi Movie News – The Times of India


Riteish Deshmukh is currently working on his next film, ‘Raja Shivaji‘ based on the life of Chhatrapati Shivaji Maharaj. Riteish is also directing the movie apart from producing it and acting in it. However, an unfortunate incident happened with a dancer who was working on the film. This dancer’s name was Saurabh Sharma and he was found dead in the early morning of April 25. He was missing since 2 days and was found dead on Monday morning.
The police have indentified his name as Saurabh Sharma and said that they found his body on April 25. They stated that this incident took place at Sangal Mahuli which is located 250kms away from Mumbai. ‘Raja Shivani’ is being shot there near the river Krishna and Veera. This 26-year old was a part of the choreography team.
According to the reports, the incident took place after Saurabh Sharma had finished filming the song. Apparently during the shoot, colour were thrown and the dancers went down near Krishna river to wash their hands. Saurabh decided to go deeper for a swim but was swept away by the strong water current. This dancer was a part of choreographer Remo D’souza‘s team.
Riteish and Genelia Deshmukh’s production house had issued a statement as the dancer was missing and wasn’t found. It read, “As soon as the news came to light, actor-director Riteish Deshmukh, producer Genelia Deshmukh and choreographer Remo D’Souza, along with the entire team, immediately reached the river bank. The help of local swimmers was immediately sought to find Saurabh, and the filming drone was used immediately for the search. Mr Deshmukh contacted Satara District Collector Mr Patil and other concerned agencies and requested them to expedite the search operation.”





Source link

Continue Reading

Lifestyle

No Agenda Space: a movement of silent companionship growing across India

Published

on

No Agenda Space: a movement of silent companionship growing across India


In late March, Rakshitha A., 32, went to a stranger’s house to read a book. She settled on a sofa next to a sleepy dog, only getting up to make herself a cup of tea. Soon, she was joined by another unfamiliar woman who positioned herself at the desk in the cosy living room. The women occasionally smiled or nodded at each other but rarely spoke. While this may seem strange to most, it is a glimpse into a silent movement where women are creating safe spaces for each other.

It was in January this year that 36-year-old Meghna Chaudhury, training to be a therapist, decided to open up her home in Indiranagar, Bengaluru, to women and non-binary people, to work, paint, sleep, read, and more importantly, do nothing, if they so wished. Her post about this ‘No Agenda Space’ blew up on social media, and in just a day, 20-30 women had reached out to Chaudhury asking if they could use the space.

The idea for this initiative sparked from an unexpected afternoon of “non-talking companionship” between three of her friends, who were strangers to each other, and happened to come over on the same day in mid-January. Women existing in each other’s company without any expectations, or labour demands, made Chaudhury aware of the lack of such spaces. So, she created one.

“I named it No Agenda Space because it’s just that — a third space that isn’t their home or workplace and doesn’t demand anything, not even a conversation, from anyone who identifies as a woman,” she says. “This space is completely anti-performative small talk. But it’s often expected of women. I wanted to create a space where they can just exist.” Chaudhury’s two-bedroom apartment is open to strangers five days a week from noon to 4:30 p.m., after prior registration online. People are free to use her WiFi, grab snacks from the kitchen or even prepare something for themselves.

A visitor in Meghna Chaudhury’s No Agenda Space.
| Photo Credit:
Meghna Chaudhury

Starting this month, she is asking for a contribution of ₹80 per head to cover costs like electricity, water and so on. For safety reasons, Chaudhury has made it mandatory for people to bring an identity proof. She also ensures there are two or three women visiting at the same time. Her dog, Millie, is often a participant at these sessions and can be found cuddling up with a stranger or taking a snooze with another.

One thing Chaudhury is clear about: there will be no hosting. “It’s my rejection of the idea of a woman having to host. I don’t want the responsibility of catering to other people’s needs in my own home. I am tired of that,” she explains.

The need for a third space

Increasingly, across India, many people like Chaudhury live in the shadows of urban loneliness and find it exhausting to maintain adult friendships. There is also the constant labour that women, especially, have to do in any space. Be it physical or emotional, something is always asked of their presence. “Among all these responsibilities, you don’t get time for yourself. So, sometimes leisure is just sleeping without answering five phone calls from your children, partner or colleague,” says Chaudhury.

For the women who have used Chaudhury’s place in the last three months, it has been about not having to perform an identity and freeing themselves of clingy gendered impositions. For instance, while one woman came to take a nap, another painted, and two others who had lost their pets hung out with Millie. Interestingly, one woman was recommended the space by her therapist, while another came there to attend an online therapy session. “It made me think about how women often don’t feel safe enough to do that in their own homes,” says Chaudhury.

For people with ADHD (attention deficit hyperactivity disorder) or for those on the autism spectrum, such third spaces are helpful and nurturing, says Rinkle Jain, a neurodivergent psychologist and psychotherapist based in Mumbai. “Often, they can’t just exist the way they want. They can’t constantly get up and walk around in their workspace, or expect a quiet environment at home. So, having a third space gives them a sense of agency. It’s almost like they can breathe better,” she explains.

A refuge during the pandemic

However, the idea of providing a third space for women “to do nothing” is not entirely new. Back in 2021, at the height of the pandemic, Indu Antony set up Namma Katte in Bengaluru because she wanted to offer a safe space for women in view of the rising number of domestic violence cases.

Women take a pause at Namma Katte in Bengaluru.

Women take a pause at Namma Katte in Bengaluru.
| Photo Credit:
Indu Antony

“There was no third space where women could go without having to spend money. Namma Katte [meaning ‘our place’ in Kannada] gives them a place to exist without any questions from morning to evening,” says Antony. Since Namma Katte is situated in a public area with no doors — it used to be a shop once — Antony hopes that the next generation will see women simply resting in full visibility, something she had never witnessed growing up.

Antony points out the socio-economic disparity that exists between the people who visit Namma Katte and No Agenda Space. “When someone from the upper class starts a space like this, it garners a lot of attention but it’s not the same for people from underprivileged sections,” she says. But Antony is happy to see more women creating safe spaces for each other and hopes social barriers of caste and class can be eliminated someday.

 Indu Antony, founder of Namma Katte in Bengaluru.

 Indu Antony, founder of Namma Katte in Bengaluru.
| Photo Credit:
Vivek Muthuramalingam

A growing movement

Inspired by Chaudhury, women across Bengaluru and a few in other cities have decided to create No Agenda Spaces. For instance, Vidhu Vinod who lives in Kaggadasapura, Bengaluru, is inviting people to use her home a few days a week to “come chill”. “Women, especially, don’t have enough safe third spaces like men do, to just be themselves. The fact that this idea has picked up and we are creating a network of such spaces for each other shows how big a need this was,” says Vinod. 

In Mumbai, women can go to Shruthi Jahagirdar’s home one Sunday every month for four hours to work on their dreams. “I know how expensive the city is and working on your startup or idea in cafes is not something many can afford. Since I live by myself, the least I can give other women is four hours in my house to do whatever they want in a no-judgment zone,” she explains.

Arundhati Gaddala, who lives in Hyderabad, hopes to offer silent companionship to women through a No Agenda Space. “I want to just be there when someone needs help to get through something they might be struggling with,” she says.

Seeing how quickly and eagerly women have shown up for each other, Chaudhury feels overwhelmed. “This space has made me realise that even without words, there can be sisterhood,” she says.

The independent journalist specialises in gender, culture, and social justice.



Source link

Continue Reading

Lifestyle

Pahalgam terror attack: Songs from Fawad Khan and Vaani Kapoor’s ‘Abir Gulaal’ REMOVED from YouTube amid boycott calls following Pahalgam terror attack | – The Times of India

Published

on

Pahalgam terror attack: Songs from Fawad Khan and Vaani Kapoor’s ‘Abir Gulaal’ REMOVED from YouTube amid boycott calls following Pahalgam terror attack | – The Times of India


The film ‘Abir Gulaal’, starring Pakistani actor Fawad Khan and Indian actress Vaani Kapoor, has become the centre of a major controversy in India following the terror attack in Pahalgam, Jammu and Kashmir, on April 22, 2025. The tragic incident, which reportedly claimed the lives of 26 people, mostly tourists, has sparked widespread outrage across the country, leading to calls for a boycott of the film.
Songs from ‘Abir Gulaal’ vanish from YouTube
‘Abir Gulaal’ makers had previously released two songs to promote the film: a romantic ballad titled ‘Khudaya Ishq’ and an upbeat dance number ‘Angreji Rangrasiya’. Both tracks were initially available on the official YouTube channel of the production house, as well as on Saregama’s channel, the label holding the music rights. However, these songs have now vanished from YouTube India. The film’s makers had earlier announced that a new track, ‘Tain Tain’, would be released on Wednesday, but this too has not been released yet.No release of ‘Abir Gulaal’ in India
As tensions rise over the ongoing political and social atmosphere, reports have surfaced that Abir Gulaal will not be allowed to release in India. A PTI report confirmed on Thursday that the Indian government has decided to block the release of the film, citing the Pahalgam terror attack as the driving factor. The government sources stated, “The movie Abir Gulaal, starring Pakistani actor Fawad Khan, will not be allowed to release in India.”
Actors speak out against the Pahalgam terror attack
Amid the controversy, both Fawad and Vaani took to social media and expressed their condemnation of the Pahalgam terror attack. Fawad Khan shared his heartfelt condolences, writing, “Deeply saddened to hear the news of the heinous attack in Pahalgam. Our thoughts and prayers are with the victims of this horrifying incident, and we pray for strength and healing for their families in this difficult time.”
Vaani Kapoor, too, shared her shock and devastation following the attack. “I have been numb, at a loss for words since the time I saw the attack on innocent people in Pahalgam. Gutted. Devastated. My prayers are with the families,” she said, expressing her empathy for the victims of the tragedy.

Emraan Hashmi OPENS UP; Gets Real On Kashmir, ‘Ground Zero’ & The Return Of Awarapan | EXCLUSIVE





Source link

Continue Reading

Trending

Copyright © 2025 Republic Diary. All rights reserved.